"Dispietata pietate" by Sigismondo D'India, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto was released on May 10, 2024. The duration of Dispietata pietate is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Dispietata pietate's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 27 in Amore siciliano by Cappella Mediterranea, Leonardo García-Alarcón. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Dispietata pietate is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dispietata pietate by Sigismondo D'India, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Who made thee, Hob, forsake the Plough? | William Byrd, Dorothee Mields, Magdalene Harer, Boreas Quartett Bremen, Hathor Consort | A♭ Major | 2 | 4B | 101 BPM | ||
El Prometeo, Act I Scene 6: Si en Medio de Se Divìna | Antonio Draghi, Cappella Mediterranea, Leonardo García-Alarcón, Borja Quiza, Fabio Trümpy | C Minor | 2 | 5A | 109 BPM | ||
Dances: Sic semper soleo | Anthony Holborne, Guildhall Waits, Trevor Jones, Consort Of Musicke, Anthony Rooley | G Minor | 0 | 6A | 110 BPM | ||
Fuga a 5 voci sopra la canzone di Cecilia | Leonardo García-Alarcón, Cappella Mediterranea, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: IV. Courante | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
El sueño de la vendimia | Mariana Flores, Quito Gato, Romain Lecuyer | G Major | 2 | 9B | 100 BPM | ||
Cantiones sacræ, Op. 4, SWV 53-93: No. 6, Psalm Domine, ne in furore tuo arguas me, SWV 85 | Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Hanna Bayodi-Hirt, Yetzabel Arias, Olivier Coiffet, Hugo Hymas, Matthias Vieweg | G Minor | 2 | 6A | 117 BPM | ||
Fortune and Glory | The Royal Wind Music | A♭ Minor | 2 | 1A | 73 BPM | ||
Lamentations II for Maundy Thursday "In Coena Domini": Lectio I: No. 6, Jerusalem, Jerusalem | Giovanni Pierluigi da Palestrina, Cinquecento | E♭ Major | 0 | 5B | 85 BPM | ||
Begli occhi io non prouo, F7.18 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón, Mariana Flores | G Minor | 1 | 6A | 93 BPM |
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