"Variation 1: Adagio" by Benjamin Britten, Camerata Nordica, Terje Tonnesen was released on November 19, 2013. The duration of Variation 1: Adagio is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Variation 1: Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 19 in Britten: Frank Bridge Variations - Lachrymae - Elegy for Strings - Simple Symphony - Two Portraits by Benjamin Britten, Camerata Nordica, Terje Tonnesen. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Variation 1: Adagio is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Variation 1: Adagio by Benjamin Britten, Camerata Nordica, Terje Tonnesen is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | F Minor | 2 | 4A | 117 BPM | ||
5 Stücke im Volkston, Op. 102: 2. Langsam | Robert Schumann, Mstislav Rostropovich, Benjamin Britten | G Major | 0 | 9B | 66 BPM | ||
Bluebeard's Castle: VI. Fifth Door - Bluebeard's Vast and Beautiful Kingdom | Béla Bartók, Valery Gergiev, Elenz Zhidkova, London Symphony Orchestra, Willard White | C Major | 2 | 8B | 138 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
Capriol Suite: 2. Pavane | Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 160 BPM | ||
Debussy: Syrinx, L. 129 | Claude Debussy, Emmanuel Pahud | B Major | 0 | 1B | 165 BPM | ||
Spring Symphony, Op. 44, Part IV: Finale. London, to Thee I do Present (soprano, alto, tenor, chorus, children's chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Elizabeth Watts, Alice Coote, Allan Clayton, London Symphony Chorus, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School Choir | C Major | 3 | 8B | 134 BPM | ||
La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | ||
Suite for Viola & Small Orchestra: I. Prelude | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | C Major | 0 | 8B | 91 BPM |
Section: 0.811931848526001
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