"Takemitsu: Fantasma/Cantos" by Toru Takemitsu, Sabine Meyer, Berliner Philharmoniker, Claudio Abbado was released on December 31, 1999. Takemitsu: Fantasma/Cantos appears to be safe for all ages as it is not explicit. The track order of this song in Sabine Meyer, Claudio Abbado, Berliner Philharmoniker's "Mozart: Clarinet Concerto/Debussy: Première Rhapsodie/Takemitsu: Fantasma/Cantos" album is number 5 out of 5. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Takemitsu: Fantasma/Cantos is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Takemitsu: Fantasma/Cantos by Toru Takemitsu, Sabine Meyer, Berliner Philharmoniker, Claudio Abbado to be Vivace (lively and fast) because the track has a tempo of 167 BPM, a half-time of 84BPM, and a double-time of 334 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 9 in C, D.944 - "The Great": 4. Allegro vivace | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 124 BPM | ||
Concerto For Oboe And Small Orchestra In D Major: 1. Allegro moderato | Richard Strauss, Lothar Koch, Berliner Philharmoniker, Herbert von Karajan | D Major | 2 | 10B | 92 BPM | ||
Symphony No. 9 in E-Flat Major, Op. 70: II. Moderato | Dmitri Shostakovich, Berliner Philharmoniker, Kirill Petrenko | B♭ Minor | 2 | 3A | 122 BPM | ||
La Mer, L.109: 3. Dialogue Of The Wind And The Sea | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 2 | 3B | 83 BPM | ||
Gaîté parisienne: Barcarolle | Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 116 BPM | ||
Symphonic Dances, Op. 45: II. Andante con moto (tempo di Valse) | Sergei Rachmaninoff, Berliner Philharmoniker, Kirill Petrenko | C Minor | 0 | 5A | 67 BPM | ||
Pelléas et Mélisande, L. 88 - put together by Erich Leinsdorf: Acte I - Une forêt | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | D Minor | 0 | 7A | 141 BPM | ||
Symphony No. 8 in B Minor, D. 759 "Unfinished": 1. Allegro moderato | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 107 BPM | ||
The Planets, Op. 32: 1. Mars, the Bringer of War | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 5 | 4B | 149 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM |
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