"Gaîté parisienne: Barcarolle" by Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1998. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 28 in the song's album "Offenbach: La Gaité parisienne; Chopin: Les Sylphides; Delibes: Coppelia". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Germany. In terms of popularity, Gaîté parisienne: Barcarolle is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gaîté parisienne: Barcarolle by Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Wagner: Tristan und Isolde, Act 3: "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Waltraud Meier | G Minor | 2 | 6A | 91 BPM | ||
Symphony No. 36 in C Major, K. 425 "Linz": 2. Andante | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 78 BPM | ||
Nabucco: Overture | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | F Major | 2 | 7B | 100 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Má Vlast, JB1:112: 2. Vltava | Bedřich Smetana, Berliner Philharmoniker, Herbert von Karajan | E Major | 2 | 12B | 76 BPM | ||
Prokofiev: Peter and the Wolf, Op. 67: Introduction | Sergei Prokofiev, Sir Peter Ustinov, Herbert von Karajan, Philharmonia Orchestra | F Minor | 0 | 4A | 87 BPM | ||
Bartók: Music for Strings, Percussion and Celesta, Sz. 106: IV. Allegro molto | Béla Bartók, Herbert von Karajan, Philharmonia Orchestra | D♭ Minor | 4 | 12A | 115 BPM | ||
Serenata notturna in D Major, K. 239: I. Marcia (Maestoso) | Wolfgang Amadeus Mozart, Thomas Brandis, Emil Maas, Neithart Resa, Rainer Zepperitz, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 7 | 11A | 132 BPM | ||
Hungarian Dance No. 5 in G Minor, WoO 1 (Orch. Schmeling) | Johannes Brahms, NDR Elbphilharmonie Orchester, John Eliot Gardiner | G Minor | 2 | 6A | 152 BPM |
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