George Frideric Handel, The English Guitar Quartet made "Concerto Grosso in B-Flat Major, HWV 312: III. Presto" available on 1990. With Concerto Grosso in B-Flat Major, HWV 312: III. Presto being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 20 in Baroque Guitar Quartets by The English Guitar Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Concerto Grosso in B-Flat Major, HWV 312: III. Presto is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Concerto Grosso in B-Flat Major, HWV 312: III. Presto by George Frideric Handel, The English Guitar Quartet is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Pieces de clavecin en concerts: Concert No. 1 in C Minor: I. La Coulicam (Rondement) | Jean-Philippe Rameau, London Baroque | C Minor | 5 | 5A | 155 BPM | ||
Organ Concerto No. 16 in F Major, HWV 305a: IV. Adagio | George Frideric Handel, George Malcolm, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 0 | 7A | 91 BPM | ||
Concerto in G Major for Soprano Recorder, Two Violins & Basso Continuo, Op. 3, No. 4: Allegro | Thierry Perenoud, The Baroque Soloists Of Amsterdam | F♯ Major | 1 | 2B | 111 BPM | ||
Trio Sonata in D Minor, Op. 1, No. 8, RV 64: IV. Giga (Allegro) | Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque | D♭ Minor | 3 | 12A | 103 BPM | ||
Музыка На Воде. Сюита №3 Соль Мажор: No. 17, No. 18, No. 17 Da Capo (Ригодон) | Ленинградский Камерный Оркестр | G Major | 4 | 9B | 131 BPM | ||
Concerto Grosso in D Minor, Op. 6, No. 10, HWV 328: V. Allegro | George Frideric Handel, Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, The English Concert | A Major | 1 | 11B | 79 BPM | ||
12 Trio Sonatas, Op. 3: Sonata No. 1 in F Major, IV. Allegro | Arcangelo Corelli, The English Guitar Quartet | C Major | 1 | 8B | 74 BPM | ||
Sonata IX A Cinque In B Flat Major: Allegro, Adagio, Presto, Adagio, Allegro, Adagio, Presto, Adagio (Biber) | Heinrich Ignaz Franz von Biber, Masques, Olivier Fortin | A Major | 2 | 11B | 120 BPM | ||
Floridante, HWV 14: Act I: Aria - Alma mia | George Frideric Handel, Catherine Robbin, Nancy Argenta, Ingrid Attrot, Linda Maguire, Hans Braun, Tafelmusik Baroque Orchestra, Alan Curtis | D♭ Major | 1 | 3B | 100 BPM | ||
Flute Concerto in D Minor, QV 5:81: III. Vivace | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | C Minor | 1 | 5A | 137 BPM |
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