Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque made "Trio Sonata in D Minor, Op. 1, No. 8, RV 64: IV. Giga (Allegro)" available on August 31, 2000. The duration of Trio Sonata in D Minor, Op. 1, No. 8, RV 64: IV. Giga (Allegro) is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Trio Sonata in D Minor, Op. 1, No. 8, RV 64: IV. Giga (Allegro)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: Trio Sonatas, Op. 1 by Antonio Vivaldi, London Baroque, Charles Medlam. The song's track number on the album is #34 out of 62 tracks. Based on our data, Sweden was the country where this track was produced or recorded. In terms of popularity, Trio Sonata in D Minor, Op. 1, No. 8, RV 64: IV. Giga (Allegro) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Trio Sonata in D Minor, Op. 1, No. 8, RV 64: IV. Giga (Allegro) by Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque has a tempo of 103 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Trio Sonata in D Minor, Op. 1, No. 8, RV 64: IV. Giga (Allegro) being at 103 BPM, the half-time would be 52 BPM with a double-time of 206 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Sonata in B-Flat Major, Op. 14, No. 4, RV 45: II. Allegro | Antonio Vivaldi, Martin Rummel, James Tibbles | B♭ Major | 3 | 6B | 114 BPM | ||
Concerto Grosso in C Minor, Op. 1, No. 2: III. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | A♭ Major | 0 | 4B | 66 BPM | ||
Concerto grosso in F Major, Op. 6, No. 2 HWV 320: I. Andante larghetto | George Frideric Handel, Simon Standage, Elizabeth Wilcock, Anthony Pleeth, David Reichenberg, Sophia McKenna, Jeremy Ward, Robert Woolley, Trevor Pinnock, The English Concert | A♭ Minor | 1 | 1A | 157 BPM | ||
Sei Concerti in sette parte per due violini e violoncello obligato, con in piu due violini, un tenore e basso continuo, Concerto grosso No. 6 in E major: IV. Affettuoso | Alessandro Scarlatti, Europa Galante, Fabio Biondi | E♭ Major | 1 | 5B | 68 BPM | ||
Ezio (or Aetius), 1732 / Act 2: Sinfonia | George Frideric Handel, Il Complesso Barocco, Alan Curtis | E Major | 0 | 12B | 64 BPM | ||
Concerto in G major Seibel 215: 1. Andante e staccato | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E♭ Minor | 0 | 2A | 72 BPM | ||
Sonata No. 20 in D Major: IV. Largo | Henry Purcell, London Baroque | D♭ Major | 1 | 3B | 64 BPM | ||
Concerto for 2 Cellos, Strings and Continuo in G minor, RV 531: 2. Largo | Antonio Vivaldi, Anner Bylsma, Anthony Pleeth, Academy of Ancient Music, Christopher Hogwood | A♭ Major | 0 | 4B | 75 BPM | ||
Trio Sonata No. 1 in E-Flat Major, BWV 525: II. Adagio (Arr. R. Gwilt) | Johann Sebastian Bach, London Baroque | F♯ Minor | 2 | 11A | 171 BPM | ||
Mystery (Rosary) Sonata No. 7, "The Scourging at the Pillar": I. Allamanda | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | B Major | 2 | 1B | 70 BPM |
Section: 0.5752396583557129
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