- BPM
- 127
- Key
- G Major
- Camelot
- 9B
Ten Preludes for solo cello (1974): III. Con sordino - senza sordino - Sofia Gubaidulina, Vladimir Tonkha Information
- Acousticness
- 99%
- Danceability
- 57%
- Energy
- 0%
- Instrumentalness
- 49%
- Liveness
- 9%
- Loudness
- 43%
- Speechiness
- 17%
- Valence
- 22%
- Popularity
- 0%
- Loudness
- -34.293 dB
Summary
Sofia Gubaidulina, Vladimir Tonkha's 'Ten Preludes for solo cello (1974): III. Con sordino - senza sordino' had a release date set for March 11, 2014. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Ten Preludes for solo cello (1974): III. Con sordino - senza sordino's duration is considered a little bit shorter than the average duration of a typical track. The song is number 32 out of 50 in Best - Sofia Gubaidulina by Sofia Gubaidulina, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Based on our statistics, Ten Preludes for solo cello (1974): III. Con sordino - senza sordino's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Ten Preludes for solo cello (1974): III. Con sordino - senza sordino BPM
The tempo marking of Ten Preludes for solo cello (1974): III. Con sordino - senza sordino by Sofia Gubaidulina, Vladimir Tonkha is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
Ten Preludes for solo cello (1974): III. Con sordino - senza sordino Key
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Schoenberg: 6 Little Piano Pieces, Op. 19: No. 1 Leicht, zart | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A Minor | 0 | 8A | 69 BPM | |
 | Piano Quintet, Op. 92, SO 610: II. Andante lamentoso | Leo Ornstein, Jascha Nemtsov, Asasello Quartett | E♭ Major | 0 | 5B | 82 BPM | |
 | Preludes: Le nombre leger (The Light Number) | Olivier Messiaen, Håkon Austbø | B Major | 1 | 1B | 68 BPM | |
 | 3 Fragmente: II. Ulysse en Itaque | Witold Lutosławski, Eva Oertle, Consuelo Giulianelli | G Minor | 0 | 6A | 80 BPM | |
 | Thème et variations: I. Thème. Modéré | Olivier Messiaen, Benjamin Frith, Lucy Gould | C Minor | 0 | 5A | 84 BPM | |
 | Seven Words (Sieben Worte) for Cello, bayan (accordion) and strings: III. Wahrlich, ich sage dir: Heute wirst du mit mir im Paradiese sein. | Sofia Gubaidulina, Torleif Thedéen, 御喜美江, Mario Venzago, Gothenburg Symphony Orchestra | G Major | 0 | 9B | 127 BPM | |
 | Violin Concerto: III. Intermezzo | György Ligeti, Benjamin Schmid, Finnish Radio Symphony Orchestra, Hannu Lintu | B♭ Major | 1 | 6B | 82 BPM | |
 | Seven Words for Cello, Accordion & Strings: I. Father, Forgive Them, for They Know Not What They Do | Sofia Gubaidulina, Klaudiusz Baran, Marcin Zdunik, Sinfonia Varsovia, Michał Klauza | D Major | 0 | 10B | 60 BPM | |
 | Elternabend | Marvin Miller | C Major | 3 | 8B | 82 BPM | |
 | Oboe with Reversal Reflections | Björn Marberg, Winterbjôrn | A♭ Minor | 0 | 1A | 134 BPM |
- ISRC
- SEWDL0526204
- Label
- L-M Records/RCA Records