"Seven Words for Cello, Accordion & Strings: I. Father, Forgive Them, for They Know Not What They Do" by Sofia Gubaidulina, Klaudiusz Baran, Marcin Zdunik, Sinfonia Varsovia, Michał Klauza had its release date on January 21, 2022. This song is about six minutes long, preciously at 5:47, making this song fairly long compared to other songs. There are a total of 9 in the song's album "Sofia Gubaidulina: Works for Cello & Accordion". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Poland. Seven Words for Cello, Accordion & Strings: I. Father, Forgive Them, for They Know Not What They Do is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Seven Words for Cello, Accordion & Strings: I. Father, Forgive Them, for They Know Not What They Do by Sofia Gubaidulina, Klaudiusz Baran, Marcin Zdunik, Sinfonia Varsovia, Michał Klauza having a BPM of 60 with a half-time of 30 BPM and a double-time of 120 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on an Original Theme Enigma, Op. 36: III. Variation II - H. D. S. - P. | Edward Elgar, Orchestra Filarmonica della Calabria, Giovanni Sollima, Filippo Arlia | D Major | 3 | 10B | 156 BPM | ||
The Bloody Man Steps into the Abyss | Nexhagus | E♭ Major | 0 | 5B | 59 BPM | ||
Six Encores: Wasserklavier | Luciano Berio, Andrea Lucchesini | D♭ Major | 0 | 3B | 82 BPM | ||
Douze Notations Pour Piano (1945): Hiératique | Pierre Boulez, Pi-hsien Chen | G Major | 0 | 9B | 84 BPM | ||
Two Pieces for violin, viola and piano: II. Allegro con molto moto | Benjamin Britten, Isabelle Faust, Alexander Melnikov, Boris Faust | F♯ Major | 1 | 2B | 138 BPM | ||
10 Preludes: II. Legato, staccato | Sofia Gubaidulina, Pieter Wispelwey | E Minor | 0 | 9A | 76 BPM | ||
II. Mesto, rigido e cerimoniale | György Ligeti, Claudia Janet Birkholz | D♭ Major | 0 | 3B | 135 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: II. Molto rallentando | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Major | 2 | 12B | 76 BPM | ||
Viola Concerto "The Horizons": III. Adagio - Solitary Compass | Patrick O'Malley, BBC Scottish Symphony Orchestra, Andrew Constantine, Brett Deubner | D Major | 1 | 10B | 86 BPM | ||
Játékok / 3.: 39. Hommage à Christian Wolff (Félálomban) | György Kurtág | D Minor | 0 | 7A | 141 BPM |