"Hérold & Lanchbery: La fille mal gardée, Act 1: No. 17a, Simone" by Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth was released on January 1, 1983. With Hérold & Lanchbery: La fille mal gardée, Act 1: No. 17a, Simone being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in John Lanchbery, Ferdinand Hérold, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth's "Hérold, Lanchbery: La fille mal gardée" album is number 13 out of 23. Hérold & Lanchbery: La fille mal gardée, Act 1: No. 17a, Simone is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Hérold & Lanchbery: La fille mal gardée, Act 1: No. 17a, Simone by Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Fille Mal Gardee: Pas de (arr. March): Act II: Moderato: Women's variation | March, Peter Ludwig Hertel, Sofia National Opera Orchestra, Boris Spassov | C Major | 0 | 8B | 111 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: III. Scherzo. Vivace | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | F Major | 2 | 7B | 130 BPM | ||
Instruments Of The Orchestra: Prokofiev: Peter And The Wolf: The Duck | Jeremy Siepmann | A♭ Major | 0 | 4B | 94 BPM | ||
Neva Polka, Op. 288 | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | E♭ Major | 4 | 5B | 80 BPM | ||
Le Corsaire: Alt. Tempo: II - "7 Grand Pas: Coda" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | E♭ Major | 2 | 5B | 120 BPM | ||
Paradis: Sicilienne | Maria Theresia von Paradis, Samuel Dushkin, Itzhak Perlman | E♭ Major | 1 | 5B | 88 BPM | ||
Giselle: Act II: Valse | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | B♭ Major | 1 | 6B | 85 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": III. Allegro "La caccia" | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | C Major | 2 | 8B | 154 BPM | ||
Concerto No. 4 in E-Flat Major, K.495: III. Rondo. Allegro Vivace | Wolfgang Amadeus Mozart, Felix Klieser, Camerata Salzburg | B♭ Major | 1 | 6B | 122 BPM | ||
The Sleeping Beauty, Act I, Op. 66: No. 6, Waltz | State Academic Symphony Orchestra of the USSR, Yevgeny Svetlanov | B♭ Major | 2 | 6B | 103 BPM |
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