London Symphony Orchestra's '"You and You" from The Bat, RV 503' came out on January 11, 2010. The duration of "You and You" from The Bat, RV 503 is about 3 minutes long, at 3:00. Based on our data, ""You and You" from The Bat, RV 503" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 100 in the song's album "The London Symphony Orchestra: The Top 100 of Classical Music". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Belgium. In terms of popularity, "You and You" from The Bat, RV 503 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With "You and You" from The Bat, RV 503 by London Symphony Orchestra having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orchestral Suite No. 3 in D Major, BWV 1068: Air | Frank Shipway, Royal Philharmonic Orchestra | D Major | 1 | 10B | 78 BPM | ||
The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | F Major | 2 | 7B | 132 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | ||
Main Title | John Williams, London Symphony Orchestra | C Major | 4 | 8B | 100 BPM | ||
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | ||
Piano Concerto No. 1 in E Minor, Op. 11: II. Romance (Larghetto) | Frédéric Chopin, Seong-Jin Cho, London Symphony Orchestra, Gianandrea Noseda | D♭ Major | 0 | 3B | 87 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): IV. Farandole | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 3 | 10B | 91 BPM | ||
Carnival Of The Animals, Finale | Chicago Symphony Orchestra | C Major | 3 | 8B | 100 BPM | ||
The Battle | Hans Zimmer, Lisa Gerrard, Gavin Greenaway, The Lyndhurst Orchestra | C Major | 4 | 8B | 84 BPM | ||
Il barbiere di Siviglia (the Barber of Seville), Act I: Cavatina. Largo al factotum della citta | Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | C Major | 3 | 8B | 100 BPM |
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