"Act IV: Angelo casto e bel" by Gaetano Donizetti, Matteo Salvi, Enrico Caruso, Walter B. Rogers was released on 1990. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 206 in Enrico Caruso - The Complete Victor Recordings by Enrico Caruso. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Act IV: Angelo casto e bel is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Act IV: Angelo casto e bel by Gaetano Donizetti, Matteo Salvi, Enrico Caruso, Walter B. Rogers is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | ||
Tannhäuser - Paris Version / Act 3: "Beglückt darf nun dich, o Heimat" (Pilgrims Chorus) | Richard Wagner, Chorus of the Royal Opera House, Covent Garden, Norbert Balatsch, Philharmonia Orchestra, Giuseppe Sinopoli | E♭ Major | 1 | 5B | 71 BPM | ||
L'elisir d'amore (The Elixir of Love): Act II Scene 8: Romance - Una furtiva lagrima | Gaetano Donizetti, Vincenzo La Scola, Alessandra Ruffini, Simone Alaimo, Roberto Frontali, Mariangela Spotorno, Hungarian State Opera Chorus, Hungarian State Opera Orchestra, Pier Giorgio Morandi | A♭ Major | 3 | 4B | 176 BPM | ||
Le Comte Ory, Act I, Scene VIII, No. 4: En proie à la tristesse... Vous que l'on dit sensible... Céleste providence | Gioachino Rossini, Pretty Yende, Marco Armiliato | E♭ Major | 2 | 5B | 88 BPM | ||
Giordano: Andrea Chénier, Act 4: "Come un bel dì di maggio" (Andrea) | Umberto Giordano, Gabriele Santini, Franco Corelli, Orchestra Del Teatro Dell'Opera Di Roma | B Minor | 2 | 10A | 90 BPM | ||
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: Cavatina. "Porgi, amor" (Contessa) | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 3 | 9B | 83 BPM | ||
Don Pasquale / Act 3: "La morale in tutto questo" | Gaetano Donizetti, Anna Maccianti, Ugo Benelli, Mario Basiola, Alfredo Mariotti, Orchestra del Maggio Musicale Fiorentino, Ettore Gracis, Coro del Maggio Musicale Fiorentino, Adolfo Fanfani | F Major | 2 | 7B | 106 BPM | ||
Cavalleria rusticana: "Inneggiamo, il Signor non è morto" (Easter Hymn) | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | G Major | 3 | 9B | 68 BPM | ||
Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi | A♭ Major | 2 | 4B | 79 BPM |
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