Georg Philipp Telemann, Frans Brüggen, Jaap Schröder, Anner Bylsma, Gustav Leonhardt's 'Telemann: Nouveaux quatuors "Paris Quartets", No. 2 in A Minor, TWV 43:a2: III. Légèrement' came out on January 1, 1964. The duration of Telemann: Nouveaux quatuors "Paris Quartets", No. 2 in A Minor, TWV 43:a2: III. Légèrement is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Telemann: Nouveaux quatuors "Paris Quartets", No. 2 in A Minor, TWV 43:a2: III. Légèrement's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 38 in the song's album "Telemann: Paris Quartets". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. In terms of popularity, Telemann: Nouveaux quatuors "Paris Quartets", No. 2 in A Minor, TWV 43:a2: III. Légèrement is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Telemann: Nouveaux quatuors "Paris Quartets", No. 2 in A Minor, TWV 43:a2: III. Légèrement by Georg Philipp Telemann, Frans Brüggen, Jaap Schröder, Anner Bylsma, Gustav Leonhardt having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | ||
Amphitryon, or The Two Sosias, Z.572: Hornpipe - Scotch Tune | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 115 BPM | ||
Weichet fort aus meiner Seele, TVWV 1:1537: IV. 4. Nr. 4 Rezitativ (Bass) »Darum sollet ihr nicht sorgen« – Trio (S/A/T) | Georg Philipp Telemann, Neumeyer Consort, Felix Koch, Klaus Mertens, Annemarie Pfahler, Liselotte Fink, Carlos Negrin Lopez | F♯ Minor | 2 | 11A | 148 BPM | ||
Sonata in B-flat Major, No. 2: I. Grave | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A Major | 1 | 11B | 132 BPM | ||
Violin Concerto in D Major, Op. 7, No. 2: II. Adagio | Jean-Marie Leclair, Elizabeth Wallfisch, Nicholas Kraemer | B♭ Minor | 0 | 3A | 115 BPM | ||
Concerto For 3 Harpsichords In C Major, BWV 1064:II. Adagio | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Robert Hill, Johann Sebastian Bach | A Minor | 1 | 8A | 76 BPM | ||
Phaéton Opera in 5 acts with prologue: Chaconne in G | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 1 | 2B | 140 BPM | ||
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM | ||
Partie 5 en si bémol majeur: Saraband | Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl | A Major | 1 | 11B | 92 BPM | ||
Oboe Concerto in D Minor, Op. 8, No. 9, RV 454: II. Largo | Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | C Major | 2 | 8B | 125 BPM |
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