Robert Schumann, Sir Clifford Curzon's 'Fantasie in C, Op. 17: 3. Langsam getragen. Durchweg leise zu halten - Etwas bewegter' came out on January 1, 2000. Fantasie in C, Op. 17: 3. Langsam getragen. Durchweg leise zu halten - Etwas bewegter appears to be safe for all ages as it is not explicit. There are a total of 20 in the song's album "Schubert: Wanderer-Fantaisie / Schumann: Fantasie in C; Kinderszenen". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Fantasie in C, Op. 17: 3. Langsam getragen. Durchweg leise zu halten - Etwas bewegter is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fantasie in C, Op. 17: 3. Langsam getragen. Durchweg leise zu halten - Etwas bewegter by Robert Schumann, Sir Clifford Curzon having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Three Romances, Op. 11: No. 1 in E-Flat Minor, Andante | Clara Schumann, Sara Costa | E♭ Minor | 1 | 2A | 134 BPM | ||
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | B♭ Major | 4 | 6B | 138 BPM | ||
Beau soir, L. 6 (Arranged for Violin and Piano by Jascha Heifetz) | Claude Debussy, Joshua Bell | F♯ Minor | 0 | 11A | 86 BPM | ||
Die Rose, Romanze aus der Oper Zemir und Azor, S571/R259 (Spohr) | Franz Liszt, Soyeon Kate Lee | E Major | 0 | 12B | 65 BPM | ||
Suite No. 7 in B-Flat Major, HWV 440: III. Sarabande | George Frideric Handel, Seong-Jin Cho | B♭ Major | 0 | 6B | 100 BPM | ||
Waldszenen, Op. 82: No. 3. Einsame Blumen (Solitary Flowers) | Robert Schumann, Martin Helmchen | B♭ Major | 0 | 6B | 80 BPM | ||
Schumann: Davidsbündlertänze, Op. 6, Heft II: No. 17, Wie aus der Ferne | Robert Schumann, Stephen Hough | B Major | 0 | 1B | 69 BPM | ||
Bach, JS: Concerto for 4 Pianos in A Minor, BWV 1065: II. Largo | Johann Sebastian Bach, Alexandre Tharaud, Bernard Labadie, Les Violins du Roy | G Major | 0 | 9B | 213 BPM | ||
Orpheus' Klage (Orfeo ed Euridice) | Christoph Willibald Gluck, Wilhelm Kempff, Matti Raekallio | D Minor | 0 | 7A | 69 BPM |
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