Giuseppe Antonio Brescianello, David Plantier, Cetra Baroque Orchestra Basel, La, Vaclav Luks made "12 Concerti et sinphonie, Op. 1: Violin Concerto No. 4 in E Minor: I. Allegro" available on March 1, 2011. The duration of 12 Concerti et sinphonie, Op. 1: Violin Concerto No. 4 in E Minor: I. Allegro is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. 12 Concerti et sinphonie, Op. 1: Violin Concerto No. 4 in E Minor: I. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 24 in Brescianello: Concerti, Sinfonie, Ouverture by Giuseppe Antonio Brescianello, Vaclav Luks, David Plantier. In terms of popularity, 12 Concerti et sinphonie, Op. 1: Violin Concerto No. 4 in E Minor: I. Allegro is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of 12 Concerti et sinphonie, Op. 1: Violin Concerto No. 4 in E Minor: I. Allegro by Giuseppe Antonio Brescianello, David Plantier, Cetra Baroque Orchestra Basel, La, Vaclav Luks is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
37 Canzonas: La Samminiata | Girolamo Frescobaldi, United Continuo Ensemble | B♭ Minor | 1 | 3A | 91 BPM | ||
Concerto in D Major, Op. 6 No. 1: II. Largo - Allegro | Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder | D♭ Major | 1 | 3B | 118 BPM | ||
Concerto Armonico No. 1 in G Major: Allegro | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 2 | 2B | 121 BPM | ||
Concerto for Trumpet, 2 Oboes, Strings and Continuo: II. Largo | Johann Friedrich Fasch, Giuliano Sommerhalder, Kammerorchester Basel, Julia Schröder | D♭ Major | 1 | 3B | 81 BPM | ||
Concerto grosso in B-Flat Major, 1 No.3: IV. | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | E Major | 4 | 12B | 146 BPM | ||
Trio Sonata in D Minor, RV 63 "Follia": Variation 11 (Larghetto) | Antonio Vivaldi, Le Consort | D♭ Minor | 3 | 12A | 78 BPM | ||
Airs for the Autumn: Marvel of Peru: II. Comic: Allegro ma non presto | James Oswald, The Broadside Band | F♯ Major | 3 | 2B | 121 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 3: I. Allegro | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Major | 1 | 12B | 80 BPM | ||
Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 21. Recitativ, "Wie sieht dein Haar" (Zion) | Johann Sebastian Bach, Christian Friedrich Henrici, Il Gardellino, Alexander Grychtolik, Miriam Feuersinger | A♭ Minor | 2 | 1A | 96 BPM | ||
Ouverture No. 6 in G Minor: II. Largo | Francesco Maria Veracini, Ensemble Zefiro, Alfredo Bernardini | B Minor | 1 | 10A | 76 BPM |
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