"Sei Introduttioni teatrali, Op. 4, No. 3: I. Allegro" by Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium was released on April 11, 2023. The duration of Sei Introduttioni teatrali, Op. 4, No. 3: I. Allegro is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Sei Introduttioni teatrali, Op. 4, No. 3: I. Allegro's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Pietro Antonio Locatelli: Sei Introduttioni teatrali, Op. 4". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. Sei Introduttioni teatrali, Op. 4, No. 3: I. Allegro is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Sei Introduttioni teatrali, Op. 4, No. 3: I. Allegro by Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in E Major, D. 50: I. Allegro | Giuseppe Tartini, Ariadne Daskalakis, Cologne Chamber Orchestra, Helmut Muller-Bruhl | E Major | 1 | 12B | 78 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Concerto 2 in D Major, Op. 7: I. Adagio | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | A♭ Major | 1 | 4B | 191 BPM | ||
Concerto No. 1 in D Major: I. Allegro assai | Alessandro Marcello, Simon Standage, Collegium Musicum 90 | D♭ Major | 3 | 3B | 106 BPM | ||
Flute Sonata in E Minor: II. Allegro assai | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 120 BPM | ||
Sonata for 2 Recorders and Basso Continuo in D Minor: II. Allegro | Giovanni Battista Sammartini, Dan Laurin, Parnassus Avenue | D♭ Minor | 0 | 12A | 140 BPM | ||
Violin Concerto No.4 in E, TWV51: E3: 1. Affettuoso | Georg Philipp Telemann, Iona Brown, Denis Vigay, Alan Cuckston, Academy of St. Martin in the Fields | A Major | 4 | 11B | 111 BPM | ||
Flute Sonata in E Flat, BWV 1031 (doubtful): II. Siciliano | Lionel Rogg, Michel Debost | G Minor | 1 | 6A | 93 BPM | ||
Sonata in C Major, No. 3: IV. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | B Major | 3 | 1B | 125 BPM | ||
Concerto grosso in C Minor, Op. 2, No. 1: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 180 BPM |
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