H.M.S. Pinafore / Act 1: The nightingale sighed - Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey Information

Acousticness: 97%
Danceability: 17%
Energy: 5%
Instrumentalness: 0%
Liveness: 18%
Loudness: 52%
Speechiness: 4%
Valence: 9%
Popularity: 5%
Loudness: -28.508 dB

Summary

"H.M.S. Pinafore / Act 1: The nightingale sighed" by Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey was released on January 1, 1959. The duration of H.M.S. Pinafore / Act 1: The nightingale sighed is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. H.M.S. Pinafore / Act 1: The nightingale sighed's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Isidore Godfrey's "Gilbert & Sullivan: H.M.S.Pinafore" album is number 4 out of 25. H.M.S. Pinafore / Act 1: The nightingale sighed is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

H.M.S. Pinafore / Act 1: The nightingale sighed BPM

We consider the tempo marking of H.M.S. Pinafore / Act 1: The nightingale sighed by Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

H.M.S. Pinafore / Act 1: The nightingale sighed Key

A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Gounod : Faust : Act 2 "Quel trouble inconnu ... Salut!" [Faust]	Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra	A♭ Major	0	4B	86 BPM
Delibes: Lakmé, Act 2: "Lakmé, ton doux regard se voile" (Nilakantha)	Léo Delibes, Alain Lombard, Mady Mesple, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Bernadette Antoine, Roger Soyer, Orchestre du Theatre National de IOpera-Comique	A♭ Major	2	4B	137 BPM
Trial by Jury: "For These Kind Words"	Gilbert & Sullivan, D'Oyly Carte Opera Company Chorus, The D'Oyly Carte Opera Company Orchestra, Isidore Godfrey	G Major	3	9B	88 BPM
Tannhäuser - Paris version / Act 1: "Wer ist der dort in brünstigem Gebete?"	Richard Wagner, Matti Salminen, Philharmonia Orchestra, Giuseppe Sinopoli	F Major	2	7B	83 BPM
Gounod : Faust : Act 4 "Alerte! alerte!" [Méphistophélès, Marguerite, Faust, Chorus]	Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra	C Major	2	8B	78 BPM
Tosca / Act 1: "Mario! Mario! Mario!" "Son qui!" - "Non la sospiri la nostra casetta"	Giacomo Puccini, Montserrat Caballé, José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis	D♭ Major	1	3B	164 BPM
14. With aspect stern and gloomy stride	Arthur Sullivan, Kenneth Sandford, John Reed, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash	G Major	1	9B	117 BPM
Gounod : Faust : Act 2 "Un bouquet ... Ah! Je ris de me voir" [Marguerite]	Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra	E Major	0	12B	84 BPM
Verdi: Aïda, Act 2: "Gloria all' Egitto, ad Iside" (King, Slaves, Prisoners, Chorus, Ramfis, Priests, Aida, Radamès, Amneris, Amonasro)	Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia	E♭ Major	5	5B	84 BPM
The Yeomen of the Guard / Act 1: "Here's a man of jollity"	Arthur Sullivan, Thomas Allen, Academy of St Martin in the Fields Chorus, Sylvia McNair, Academy of St. Martin in the Fields, Sir Neville Marriner	C Major	3	8B	89 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7652969360351562

End: 0.7687592506408691