Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia's 'Verdi: Aïda, Act 2: "Gloria all' Egitto, ad Iside" (King, Slaves, Prisoners, Chorus, Ramfis, Priests, Aida, Radamès, Amneris, Amonasro)' came out on October 2, 2015. The duration of Verdi: Aïda, Act 2: "Gloria all' Egitto, ad Iside" (King, Slaves, Prisoners, Chorus, Ramfis, Priests, Aida, Radamès, Amneris, Amonasro) is about 3 minutes long, at 3:04. Based on our data, "Verdi: Aïda, Act 2: "Gloria all' Egitto, ad Iside" (King, Slaves, Prisoners, Chorus, Ramfis, Priests, Aida, Radamès, Amneris, Amonasro)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi: Aida by Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia. The song's track number on the album is #28 out of 51 tracks. Verdi: Aïda, Act 2: "Gloria all' Egitto, ad Iside" (King, Slaves, Prisoners, Chorus, Ramfis, Priests, Aida, Radamès, Amneris, Amonasro) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi: Aïda, Act 2: "Gloria all' Egitto, ad Iside" (King, Slaves, Prisoners, Chorus, Ramfis, Priests, Aida, Radamès, Amneris, Amonasro) by Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Verdi: Aïda, Act 2: "Gloria all' Egitto, ad Iside" (King, Slaves, Prisoners, Chorus, Ramfis, Priests, Aida, Radamès, Amneris, Amonasro) being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Marriage Of Figaro KV.592 | Alfred Scholz, London Philharmonic Orchestra | D Major | 1 | 10B | 142 BPM | ||
Macbeth / Act 3: Coro e Ballabile: "Ondine e Silfidi" | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | G Major | 0 | 9B | 109 BPM | ||
Caro nome | Giuseppe Verdi, Montserrat Caballé, Gianfranco Masini, Orquesta Sinfónica de Barcelona | D Major | 5 | 10B | 120 BPM | ||
4 Pezzi Sacri: I. Ave Maria | Giuseppe Verdi, Coro Del Teatro Alla Scala Di Milano, Riccardo Chailly | G Major | 0 | 9B | 67 BPM | ||
Rigoletto: Act III: La donna e mobile (Duca) | Giuseppe Verdi, Yordy Ramiro, Eduard Tumagian, Alida Ferrarini, Jozef Spacek, Jitka Saparova, Alžbeta Michálková, Ladislav Neshyba, Peter Subert, Jozef Abel, Robert Szücs, Ivica Neshybova, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | B Major | 0 | 1B | 135 BPM | ||
Giordano: Fedora, Act 2: "Amor ti vieta di non amar" (Loris) | Umberto Giordano, Plácido Domingo, Nello Santi, Orchestra of the Deutsche Oper Berlin | F Major | 1 | 7B | 115 BPM | ||
Carmen, Act I: No.10 Séguidille et Duo : Près des ramparts de Séville (Carmen/Don José) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | G Major | 1 | 9B | 90 BPM | ||
Carmen, Act I, No.4 Choeur des Cigarières: Voyez-les! regards impudents....Dans l'air nous suivons des yeux (Dragons/Cigarières) | Georges Bizet, Choeur Les Elements, Orchestre National Du Capitole De Toulouse, Michel Plasson, Wolff | E Major | 1 | 12B | 85 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Selig, wie die Sonne" | Richard Wagner, Norman Bailey, Hannelore Bode, René Kollo, Adolf Dallapozza, Julia Hamari, Wiener Philharmoniker, Sir Georg Solti | F♯ Major | 2 | 2B | 82 BPM | ||
Flotow: Martha / Act 3 - "M'appari" | Luciano Pavarotti, Richard Bonynge, New Philharmonia Orchestra | E Major | 3 | 12B | 125 BPM |
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