Arthur Sullivan, Thomas Allen, Academy of St Martin in the Fields Chorus, Sylvia McNair, Academy of St. Martin in the Fields, Sir Neville Marriner made "The Yeomen of the Guard / Act 1: "Here's a man of jollity"" available on September 28, 1993. With The Yeomen of the Guard / Act 1: "Here's a man of jollity" being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Arthur Sullivan, Sir Neville Marriner, Sylvia McNair, Kurt Streit, Thomas Allen, Stafford Dean, Jean Rigby, Robert Lloyd, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields's "Gilbert & Sullivan: The Yeomen Of The Guard" album is number 12 out of 40. On top of that, Netherlands appears to be the country where this track was created. The Yeomen of the Guard / Act 1: "Here's a man of jollity" is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of The Yeomen of the Guard / Act 1: "Here's a man of jollity" by Arthur Sullivan, Thomas Allen, Academy of St Martin in the Fields Chorus, Sylvia McNair, Academy of St. Martin in the Fields, Sir Neville Marriner to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Orphée aux enfers, ACT 1, Premier tableau: la campagne aux environs d'Athènes: Qui suis-je? Du théâtre antique (L'Opinion Publique) | Jacques Offenbach, Eva Podles/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | F Minor | 0 | 4A | 93 BPM | ||
Easter Hymn (from Cavalleria Rusticana) | The Accademia di Santa Cecilia Orchestra, Giulietta Simionato, The Accademia di Santa Cecilia Chorus, Tullio Serafin | G Major | 3 | 9B | 64 BPM | ||
Cavalleria rusticana: "Regina coeli laetare" | Pietro Mascagni, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 3 | 9B | 87 BPM | ||
Mass: Devotions before Mass: Hymn and Psalm, "A Simple Song" (Celebrant) | Leonard Bernstein, Jubilant Sykes, Asher Edward Wulfman, Peabody Children's Chorus, Morgan State University Choir, Baltimore Symphony Orchestra, Marin Alsop | C Major | 1 | 8B | 80 BPM | ||
Che fiero costume | Giovanni Legrenzi, Elisabetta Pallucchi, Filippo Farinelli | F Minor | 0 | 4A | 127 BPM | ||
Samson et Dalila, Op. 47: Act III: Salut! Salut au juge d'Israel... | Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis Fourestier | E♭ Major | 2 | 5B | 113 BPM | ||
Carmen, Act I, No.4 Choeur des Cigarières: Voyez-les! regards impudents....Dans l'air nous suivons des yeux (Dragons/Cigarières) | Georges Bizet, Choeur Les Elements, Orchestre National Du Capitole De Toulouse, Michel Plasson, Wolff | E Major | 1 | 12B | 85 BPM | ||
2. Iolanthe! From thy dark exile | Arthur Sullivan, Jennifer Toye, Pauline Wales, Gillian Knight, Yvonne Newman, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | E Major | 1 | 12B | 140 BPM | ||
Ich lade gern mir Gäste ein | Johann Strauss II, Angelika Kirchschlager, Alfred Eschwe, Tonkünstler-Orchester | D♭ Major | 1 | 3B | 130 BPM | ||
Gershwin: Porgy and Bess, Act 1: "Summertime" (Clara) | George Gershwin, Ira Gershwin, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra | F♯ Minor | 2 | 11A | 153 BPM |
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