"Mass: Devotions before Mass: Hymn and Psalm, "A Simple Song" (Celebrant)" by Leonard Bernstein, Jubilant Sykes, Asher Edward Wulfman, Peabody Children's Chorus, Morgan State University Choir, Baltimore Symphony Orchestra, Marin Alsop was released on August 25, 2009. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 32 in Bernstein, L.: Mass by Leonard Bernstein, Marin Alsop. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Mass: Devotions before Mass: Hymn and Psalm, "A Simple Song" (Celebrant) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass: Devotions before Mass: Hymn and Psalm, "A Simple Song" (Celebrant) by Leonard Bernstein, Jubilant Sykes, Asher Edward Wulfman, Peabody Children's Chorus, Morgan State University Choir, Baltimore Symphony Orchestra, Marin Alsop is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madama Butterfly / Act 2: Coro a bocca chiusa (Humming Chorus) | Giacomo Puccini, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 78 BPM | ||
The Medium: Monica's Waltz | Gian Carlo Menotti, Patrice Michaels, Chicago Opera Theater Ensemble, Lawrence Rapchak | G Minor | 1 | 6A | 169 BPM | ||
An American in Paris | George Gershwin, Columbia Symphony Orchestra, Leonard Bernstein, New York Philharmonic | F Major | 2 | 7B | 84 BPM | ||
Vol. VI - The Poetry of Earth: This Union Is Possible Only Because | Various Artists, Leonard Bernstein | D Major | 4 | 10B | 81 BPM | ||
Faust / Act 3: "Ah! Je ris de me voir" | Charles Gounod, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM | ||
Gloria, FP 144: 4. Domini Fili Unigenite | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | G Major | 2 | 9B | 113 BPM | ||
La damnation de Faust, Op. 24: Rákóczy March "Hungarian March" | Hector Berlioz, Leonard Bernstein, New York Philharmonic | A Major | 3 | 11B | 100 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16 "Italian": I. Allegro vivace | Felix Mendelssohn, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 65 BPM | ||
La Rondine / Act 1: "Chi il bel sogno di Doretta" | Giacomo Puccini, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | F Major | 2 | 7B | 166 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): Andantino, come prima - Meno mosso | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | C Major | 1 | 8B | 95 BPM |
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