Jane Eyre, Act I: Listen! Listen! (Rochester, Jane) - Michael Berkeley, Michael Rafferty, Music Theatre Wales Ensemble, Andrew Slater, Natasha Marsh Information

Acousticness: 85%
Danceability: 7%
Energy: 2%
Instrumentalness: 17%
Liveness: 15%
Loudness: 45%
Speechiness: 4%
Valence: 4%
Popularity: 0%
Loudness: -32.735 dB

Summary

"Jane Eyre, Act I: Listen! Listen! (Rochester, Jane)" by Michael Berkeley, Michael Rafferty, Music Theatre Wales Ensemble, Andrew Slater, Natasha Marsh was released on September 1, 2002. With Jane Eyre, Act I: Listen! Listen! (Rochester, Jane) being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 20 in Berkeley: Jane Eyre by Michael Berkeley, Michael Rafferty, Music Theatre Wales Ensemble, Natasha Marsh, Fflur Wyn, Beverley Mills, Emily Bauer-Jones, Andrew Slater. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Jane Eyre, Act I: Listen! Listen! (Rochester, Jane) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Jane Eyre, Act I: Listen! Listen! (Rochester, Jane) BPM

The tempo marking of Jane Eyre, Act I: Listen! Listen! (Rochester, Jane) by Michael Berkeley, Michael Rafferty, Music Theatre Wales Ensemble, Andrew Slater, Natasha Marsh is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Jane Eyre, Act I: Listen! Listen! (Rochester, Jane) Key

This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Quartet in F Minor, Op. 28: II. Adagio	Luise Adolpha Le Beau, Kaleidoscope Chamber Collective	D Major	1	10B	80 BPM
Romance for Violin and Piano, Op.23	Amy Beach, 대니 구(Danny Koo)	F♯ Major	2	2B	132 BPM
String Quartet in E Minor: I. Allegro	Giuseppe Verdi, Vertavo String Quartet	D Minor	2	7A	142 BPM
L’amour c’est comme un jour (Arr. for Cello and Orchestra by Martin Ulikhanyan)	Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra	F Major	1	7B	85 BPM
Violin Concerto in D Minor, WoO 1: III. Lebhaft, doch nicht schnell (Excerpt)	Robert Schumann, Ilya Kaler, Bournemouth Symphony Orchestra, Pietari Inkinen	D Major	2	10B	76 BPM
4 Songs, Op. 13: No. 3. Sure on this shining night (arr. for cello and piano)	Anonymous , Samuel Barber, Zuill Bailey, Lara Downes	E Minor	1	9A	87 BPM
Concerto for Cello and Wind Orchestra: II. Romance	Jacques Ibert, Ernst Simon Glaser, Norwegian Navy Band Bergen, Peter Szilvay	A Minor	0	8A	82 BPM
II. Intermezzo	Morton Feldman, Marilyn Nonken, Stephen Marotto	B♭ Minor	0	3A	164 BPM
Jane Eyre, Act II: Jane. Jane. Is it really you? (Rochester, Jane)	Michael Berkeley, Michael Rafferty, Music Theatre Wales Ensemble, Andrew Slater, Natasha Marsh	F♯ Minor	1	11A	82 BPM
Piano Quartet in E-Flat Major, Op. 47 for Piano, Violin, Viola and Violoncello: III. Andante cantabile	Robert Schumann, Mandelring Quartett	E♭ Major	2	5B	122 BPM

ISRC: GBLWD0210209
Label: L-M Records/RCA Records

Section: 0.659930944442749

End: 0.663909912109375