- BPM
- 82
- Key
- F♯ Minor
- Camelot
- 11A
Jane Eyre, Act II: Jane. Jane. Is it really you? (Rochester, Jane) - Michael Berkeley, Michael Rafferty, Music Theatre Wales Ensemble, Andrew Slater, Natasha Marsh Information
- Acousticness
- 94%
- Danceability
- 13%
- Energy
- 5%
- Instrumentalness
- 4%
- Liveness
- 15%
- Loudness
- 60%
- Speechiness
- 4%
- Valence
- 3%
- Popularity
- 0%
- Loudness
- -23.751 dB
Summary
"Jane Eyre, Act II: Jane. Jane. Is it really you? (Rochester, Jane)" by Michael Berkeley, Michael Rafferty, Music Theatre Wales Ensemble, Andrew Slater, Natasha Marsh was released on September 1, 2002. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 20 out of 20 in Berkeley: Jane Eyre by Michael Berkeley, Michael Rafferty, Music Theatre Wales Ensemble, Natasha Marsh, Fflur Wyn, Beverley Mills, Emily Bauer-Jones, Andrew Slater. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Jane Eyre, Act II: Jane. Jane. Is it really you? (Rochester, Jane) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Jane Eyre, Act II: Jane. Jane. Is it really you? (Rochester, Jane) BPM
The tempo marking of Jane Eyre, Act II: Jane. Jane. Is it really you? (Rochester, Jane) by Michael Berkeley, Michael Rafferty, Music Theatre Wales Ensemble, Andrew Slater, Natasha Marsh is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Jane Eyre, Act II: Jane. Jane. Is it really you? (Rochester, Jane) Key
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Autumn in Princes Garden | Miriam Hyde, Bridget Bolliger, Andrew West | A Minor | 1 | 8A | 74 BPM | |
 | The Rose Petal Waltz | Agneta Krilova, Trio NYX | D♭ Major | 1 | 3B | 126 BPM | |
 | Strange Meeting: II. Quarter note = 84 - Maestoso - Animato - Un poco meno mosso - Presto — | Michael Berkeley, Margaret Fingerhut | F♯ Major | 3 | 2B | 85 BPM | |
 | Violin Sonata No. 1 in A Major, Op. 13: I. Allegro molto | Gabriel Fauré, Anna Im, Chiao-Ying Chang | D Major | 1 | 10B | 69 BPM | |
 | Jane Eyre, Act II: Jane! Jane! Where are you, my angel? (Rochester, Jane) | Michael Berkeley, Michael Rafferty, Music Theatre Wales Ensemble, Andrew Slater, Natasha Marsh | A Major | 0 | 11B | 77 BPM | |
 | My Own Home (from "The Jungle Book") - Cello-Piano Version | Raphaela Gromes, Julian Riem | C Major | 3 | 8B | 100 BPM | |
 | String Quartet No. 1 in C Major, Op. 49: III. Allegro molto | Dmitri Shostakovich, Quatuor Danel | G Major | 0 | 9B | 89 BPM | |
 | Suite for Violin and Piano: III | Johanna Beyer, Miwako Abe, Michael Kieran Harvey | A♭ Major | 0 | 4B | 0 BPM | |
 | Violin Sonata No. 3 In D Minor, Op. 108: II. Adagio | Johannes Brahms, Augustin Dumay, Louise Lortie | D Major | 0 | 10B | 165 BPM | |
 | Trio for Piano, Violin and Horn in E-Flat Major, Op. 40: III. Adagio mesto | Johannes Brahms, Geoffroy Couteau, Amaury Coeytaux, Antoine Dreyfuss | F Major | 0 | 7B | 134 BPM |
- ISRC
- GBLWD0210220
- Label
- L-M Records/RCA Records
Section: 0.7425620555877686
End: 0.7465035915374756