Natalie Choquette's 'In Festo Assumptionis Beatae Mariae Virginis' came out on November 2, 2004. With In Festo Assumptionis Beatae Mariae Virginis being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 20 out of 21 in Aeterna by Natalie Choquette. In Festo Assumptionis Beatae Mariae Virginis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of In Festo Assumptionis Beatae Mariae Virginis by Natalie Choquette is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hahn: 20 Mélodies: No. 20 À Chloris | Philippe Jaroussky | D Major | 0 | 10B | 70 BPM | ||
Vocalise, Op.34, No.14 | Sergei Rachmaninoff, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D♭ Minor | 2 | 12A | 83 BPM | ||
Breath Alone: Paula Modersohn-Becker (Version for 2 Sopranos and Chamber Orchestra) | Cecilia Livingston, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
Serenata | Natalie Choquette | D♭ Major | 1 | 3B | 68 BPM | ||
Benedictus | MartÍn Palmeri | G Major | 3 | 9B | 83 BPM | ||
Magnificat in D Major: I. Magnificat | Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Kammerchor Stuttgart, Frieder Bernius | E♭ Major | 0 | 5B | 66 BPM | ||
Miserere, ZWV 57: V. Sicut erat et Miserere III | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises Illán | F♯ Minor | 3 | 11A | 77 BPM | ||
Les chemins de l'amour, FP 106 | Francis Poulenc, Jessye Norman, Dalton Baldwin | D♭ Major | 1 | 3B | 77 BPM | ||
5 Lieder, Op. 49: IV. Wiegenlied | Johannes Brahms, Bernarda Fink, Roger Vignoles | E♭ Major | 2 | 5B | 89 BPM | ||
Petite messe solennelle: Gloria in excelsis Deo | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Michael Spyres, Alexander Vinogradov, Delphine Galou | F Major | 1 | 7B | 106 BPM |
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