"Serenata" by Natalie Choquette was released on October 25, 2005. The duration of Serenata is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Serenata's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 18 in Aeterna Romantica by Natalie Choquette. Serenata is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Serenata by Natalie Choquette is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Secrets of the Old | Nicole Jordan & Celia Garcia-Garcia | C Major | 3 | 8B | 81 BPM | ||
Da unten im Tale, WoO 33, No. 6 | Johannes Brahms, Jonas Kaufmann, Helmut Deutsch | E Major | 1 | 12B | 182 BPM | ||
Les indes galantes / Nouvelle Entrée: Les Sauvages Scène 6: Danse du Grand Calumet de la Paix (Rondeau) - Forêts paisibles | Jean-Philippe Rameau, Patricia Petibon, Kevin Greenlaw, La Cetra Barockorchester Basel, Andrea Marcon, La Cetra Vocalensemble Basel | F♯ Minor | 3 | 11A | 87 BPM | ||
Antigono, Wq. 21 (Excerpts): Già che morir | Christoph Willibald Gluck, Samuel Mariño, Händelfestspielorchester Halle, Martin Hofstetter | B Minor | 1 | 10A | 74 BPM | ||
Come, Ye Sons of Art Away, Z. 323 "Ode for Queen Mary's Birthday, 1694": No. 2. Duet, "Come Ye Sons of Art Away" (Arr. with Trumpet, Trombone, Baroque Guitar, Cello and Organ by Wim van Hasselt and Jörgen van Rijen) | Henry Purcell, Wim Van Hasselt, Jörgen Van Rijen, Benedikt Enzler, Mike Fentross, Jorge Lopez-Escribano | F Major | 1 | 7B | 107 BPM | ||
Gloria in D, RV 589: II. Et in terra pax hominibus | Antonio Vivaldi, Choir of King's College, Cambridge, Stephen Cleobury, Academy of Ancient Music | B♭ Minor | 2 | 3A | 130 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
6 Lieder, Op. 31: No. 6, Abschied | Ferdinand Ries, Wolfgang Müller von Königswinter, Äneas Humm, Judit Polgar | F Major | 2 | 7B | 93 BPM | ||
A Chloris | Reynaldo Hahn, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 1 | 12B | 175 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 75 BPM |
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