Quartet for Flute, Guitar, Viola and Cello, D.96: IV. Zingara
Franz Schubert, Paul Silverthorne, Charles Tunnell, Clive Conway, Gerald Garcia
Schubert: Quartet for Flute, Guitar, Viola and Cello / Haydn: Quartet No. 4 in G for Flute, Violin, Viola and Continuo
3:16 January 3, 2010
BPM
122
Key
D Major
Camelot
10B

Embed

Share Link

Quartet for Flute, Guitar, Viola and Cello, D.96: IV. Zingara - Franz Schubert, Paul Silverthorne, Charles Tunnell, Clive Conway, Gerald Garcia Information

Acousticness
99%
Danceability
33%
Energy
10%
Instrumentalness
90%
Liveness
17%
Loudness
69%
Speechiness
4%
Valence
44%
Popularity
Loudness
-18.68 dB

Summary

Franz Schubert, Paul Silverthorne, Charles Tunnell, Clive Conway, Gerald Garcia made "Quartet for Flute, Guitar, Viola and Cello, D.96: IV. Zingara" available on January 3, 2010. The duration of Quartet for Flute, Guitar, Viola and Cello, D.96: IV. Zingara is about 3 minutes long, at 3:16. Based on our data, "Quartet for Flute, Guitar, Viola and Cello, D.96: IV. Zingara" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 9 in the song's album "Schubert: Quartet for Flute, Guitar, Viola and Cello / Haydn: Quartet No. 4 in G for Flute, Violin, Viola and Continuo". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Quartet for Flute, Guitar, Viola and Cello, D.96: IV. Zingara's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Quartet for Flute, Guitar, Viola and Cello, D.96: IV. Zingara BPM

With Quartet for Flute, Guitar, Viola and Cello, D.96: IV. Zingara by Franz Schubert, Paul Silverthorne, Charles Tunnell, Clive Conway, Gerald Garcia having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Quartet for Flute, Guitar, Viola and Cello, D.96: IV. Zingara Key

D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato by Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderatoCarl Maria von Weber, Nino Gvetadze, Frederieke SaeijsD Minor17A112 BPM
Moment Musical in F Minor, Op. 94, No. 3, D. 780 (arr. for chamber ensemble) by Anonymous , Franz Schubert, Budapest Strings, Bela BanfalviMoment Musical in F Minor, Op. 94, No. 3, D. 780 (arr. for chamber ensemble)Anonymous , Franz Schubert, Budapest Strings, Bela BanfalviF Minor04A101 BPM
Debussy: Piano Trio in G Major, L. 5: II. Scherzo - Intermezzo - Moderato con allegro by Claude Debussy, Bertrand ChamayouDebussy: Piano Trio in G Major, L. 5: II. Scherzo - Intermezzo - Moderato con allegroClaude Debussy, Bertrand ChamayouF♯ Minor011A80 BPM
Charakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sicht by Bedřich Smetana, Jitka ČechováCharakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sichtBedřich Smetana, Jitka ČechováA♭ Minor21A76 BPM
Tempo di valse in F-Sharp Minor, JS 194, Tempo di valse in F-Sharp Minor, JS 194, "Lulu Waltz": Lulu WaltzJean Sibelius, Steven Isserlis, Stephen HoughA Major011B88 BPM
Lyric Pieces, Book 1, Op. 12: I. Arietta by Edvard Grieg, Javier PerianesLyric Pieces, Book 1, Op. 12: I. AriettaEdvard Grieg, Javier PerianesB♭ Major06B72 BPM
Three Romances for Violin and Piano, Op. 22: I. Andante molto by Clara Schumann, Esther Abrami, Iyad SughayerThree Romances for Violin and Piano, Op. 22: I. Andante moltoClara Schumann, Esther Abrami, Iyad SughayerD♭ Major23B81 BPM
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto by Robert Schumann, Mikhail PletnevSymphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il cantoRobert Schumann, Mikhail PletnevD♭ Minor112A69 BPM
Nocturne No. 1 in E Flat Major, H.24 by John Field, Elizabeth Joy RoeNocturne No. 1 in E Flat Major, H.24John Field, Elizabeth Joy RoeE♭ Major05B75 BPM
Piano Concerto in G Major, M. 83: II. Adagio assai by Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre BoulezPiano Concerto in G Major, M. 83: II. Adagio assaiMaurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre BoulezE Major012B74 BPM
ISRC
GBABV1010490
Label
L-M Records/RCA Records

Section: 0.8070616722106934

End: 0.8134560585021973