"Madame Butterfly, 1. Akt: Vogliatemi bene (Mona Lisa): Addio, fiorito asil (Pinkerton, Sharpless)" by Giacomo Puccini, Toti dal Monte, Beniamino Gigli, Vittoria Palombini, Mario Basiola, Adelio Zagonara, Gino Conti, Ernesto Dominici, Rome Opera House Chorus, Orchestra Del Teatro Dell'Opera Di Roma, Oliviero de Fabritiis was released on April 16, 2002. With Madame Butterfly, 1. Akt: Vogliatemi bene (Mona Lisa): Addio, fiorito asil (Pinkerton, Sharpless) being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 44 in the song's album "Puccini: Madama Butterfly (Gigli, Dal Monte) (1939)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Hong Kong. The popularity of Madame Butterfly, 1. Akt: Vogliatemi bene (Mona Lisa): Addio, fiorito asil (Pinkerton, Sharpless) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Madame Butterfly, 1. Akt: Vogliatemi bene (Mona Lisa): Addio, fiorito asil (Pinkerton, Sharpless) by Giacomo Puccini, Toti dal Monte, Beniamino Gigli, Vittoria Palombini, Mario Basiola, Adelio Zagonara, Gino Conti, Ernesto Dominici, Rome Opera House Chorus, Orchestra Del Teatro Dell'Opera Di Roma, Oliviero de Fabritiis having a BPM of 171 with a half-time of 86 BPM and a double-time of 342 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 1/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Turandot, Act III: Nessun dorma (arr. for orchestra) | Anonymous , Giacomo Puccini, Sofia Philharmonic Orchestra, Emil Tabakov | D Major | 1 | 10B | 85 BPM | ||
La Boheme | Dustin Henze | D Major | 1 | 10B | 74 BPM | ||
Turandot / Act 1: "Ah! Per L'Ultima Volta" | Giacomo Puccini, Montserrat Caballé, Luciano Pavarotti, Piero de Palma, Pier Francesco Poli, Tom Krause, Nicolai Ghiaurov, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | F Major | 2 | 7B | 170 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
La rondine, Act I: Chi il bel sogno di Doretta (Live) | Giacomo Puccini, Elena Moșuc, Álvaro Zambrano, Munich Radio Orchestra, Ivan Repušić | F Major | 2 | 7B | 91 BPM | ||
À Chloris | Reynaldo Hahn, Susan Graham | E Major | 0 | 12B | 185 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Kulka János | E♭ Major | 2 | 5B | 89 BPM | ||
Songs of the Auvergne, Book I: 2. Baïlèro | Joseph Canteloube, Sara Macliver, Brett Kelly, Queensland Symphony Orchestra | B♭ Major | 1 | 6B | 92 BPM | ||
Serse / Act 1, HWV 40: "Ombra mai fu" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 175 BPM | ||
Bizet: Carmen, WD 31, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Major | 0 | 10B | 98 BPM |
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