Robert Stolz, Herta Talmar, Antonia Fahberg, Franz Fehringer, Willy Hofmann, Bernhard Wilfert, Peter Alexander, Chor, Grosses Operetten Orchester, Franz Marszalek made "Im weißen Rössl: Das ist der Zauber der Saison" available on January 1, 1993. With Im weißen Rössl: Das ist der Zauber der Saison being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Antonia Fahberg, Franz Fehringer, Herta Talmar, Willi Hofmann, Renate Holm, Peter Alexander, Bernhard Wilfert, Chor, Grosses Operetten Orchester, Franz Marszalek's "Im Weißen Rössl - Saison in Salzburg - Hochzeitsnacht im Paradies" album is number 11 out of 32. Based on our statistics, Im weißen Rössl: Das ist der Zauber der Saison's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Im weißen Rössl: Das ist der Zauber der Saison by Robert Stolz, Herta Talmar, Antonia Fahberg, Franz Fehringer, Willy Hofmann, Bernhard Wilfert, Peter Alexander, Chor, Grosses Operetten Orchester, Franz Marszalek to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Le Lu | Anneliese Rothenberger | F Major | 3 | 7B | 90 BPM | ||
Die Zauberflöte, K. 620 / Act 1: "Der Vogelfänger bin ich ja" | Wolfgang Amadeus Mozart, Rolando Villazón, Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Major | 1 | 9B | 72 BPM | ||
Bombones de Viena, Op. 307 | Orquesta De Conciertos Vienesa, Alfred Scholz | F Major | 3 | 7B | 185 BPM | ||
Ballszene | Joseph Hellmesberger, Sr., Göttingen Symphony Orchestra, Christian Simonis | B Major | 3 | 1B | 98 BPM | ||
Heimat, Deine Sterne | Wilhelm Strienz | F Major | 2 | 7B | 78 BPM | ||
1001 Nacht: Intermezzo | Wiener Symphoniker, Robert Stolz | D Major | 1 | 10B | 81 BPM | ||
Les Contes d'Hoffmann / Act 2: Barcarolle - Excerpt | Jacques Offenbach, Anna Netrebko, Elina Garanca, PKF – Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir, Lukás Vasilek | F Major | 4 | 7B | 89 BPM | ||
Chianti-Lied | Rudolf Schock | G Major | 4 | 9B | 140 BPM | ||
Phonix, Op. 105: Phonix-Marsch, Op. 105 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Michael Dittrich | E♭ Major | 5 | 5B | 108 BPM | ||
Künstlerleben | Vienna Volksoper Orchestra | C Major | 3 | 8B | 182 BPM |
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