"7 frühe Lieder (1928 Orch. Version): No. 1, Nacht" by Alban Berg, Anne Sofie von Otter, Wiener Philharmoniker, Claudio Abbado was released on January 1, 1995. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 11 in Berg: Three Orchestral Pieces by Alban Berg, Anne Sofie von Otter, Wiener Philharmoniker, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. 7 frühe Lieder (1928 Orch. Version): No. 1, Nacht is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 7 frühe Lieder (1928 Orch. Version): No. 1, Nacht by Alban Berg, Anne Sofie von Otter, Wiener Philharmoniker, Claudio Abbado is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturnes, L.91: II. Fêtes | Claude Debussy, Cleveland Orchestra, Pierre Boulez | D♭ Major | 1 | 3B | 72 BPM | ||
Les animaux modèles Suite, FP 111: VI. Le repas de midi | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Minor | 1 | 6A | 80 BPM | ||
Peter Grimes: 4 Sea Interludes, Op. 33a: III. Moonlight | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | E♭ Major | 0 | 5B | 84 BPM | ||
Symphony No.1 in E Major, Op. 26: I. Lento | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | E♭ Major | 2 | 5B | 139 BPM | ||
Symphony No. 4 in G Major: IV. Sehr behaglich: "Wir genießen die himmlischen Freuden" | Gustav Mahler, Juliane Banse, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 110 BPM | ||
Lulu / Act 1: Verwandlungsmusik | Alban Berg, Orchestre de l'Opéra de Paris, Pierre Boulez | A Minor | 1 | 8A | 104 BPM | ||
Taras Bulba: 2. The Death Of Ostap | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D♭ Minor | 1 | 12A | 118 BPM | ||
Trio for Piano, Oboe and Bassoon: Rondo - Très vif | London Conchord Ensemble | D♭ Major | 2 | 3B | 74 BPM | ||
Fantasie in C Major, D. 934: I. Andante molto | Franz Schubert, Isabelle Faust, Alexander Melnikov | C Minor | 0 | 5A | 98 BPM | ||
Lulu / Act 2: "Die Matinée wird, wie ich mir denke" | Alban Berg, Teresa Stratas, Kenneth Riegel, Helmut Pampuch, Franz Mazura, Orchestre de l'Opéra de Paris, Pierre Boulez | D♭ Major | 3 | 3B | 95 BPM |
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