"Lulu / Act 2: "Die Matinée wird, wie ich mir denke"" by Alban Berg, Teresa Stratas, Kenneth Riegel, Helmut Pampuch, Franz Mazura, Orchestre de l'Opéra de Paris, Pierre Boulez was released on January 1, 2000. Lulu / Act 2: "Die Matinée wird, wie ich mir denke" is about six minutes long, preciously at 6:14, making this song fairly long compared to other songs. The song is number 3 out of 36 in Berg: Lulu by Alban Berg, Teresa Stratas, Orchestre de l'Opéra de Paris, Pierre Boulez. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Lulu / Act 2: "Die Matinée wird, wie ich mir denke" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lulu / Act 2: "Die Matinée wird, wie ich mir denke" by Alban Berg, Teresa Stratas, Kenneth Riegel, Helmut Pampuch, Franz Mazura, Orchestre de l'Opéra de Paris, Pierre Boulez is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wozzeck / Act 2: Scene 5: Guardroom In The Barracks. "Oh oh Andres! Andres! Ich kann nicht schlafen" | Alban Berg, Philip Langridge, Walter Raffeiner, Werner Kamenik, Franz Grundheber, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 107 BPM | ||
Schoenberg: 3 Piano Pieces, Op. 11: No. 1 Mässig (Viertel) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A♭ Major | 0 | 4B | 103 BPM | ||
Die Walküre, WWV 86B, Act I: In the Sound Code, We "See" His Loving Gaze | Richard Wagner, Berliner Philharmoniker, Lorin Maazel | G Minor | 0 | 6A | 91 BPM | ||
String Quartet No. 2 'Intimate Pages': String Quartet No. 2 'Intimate Pages': III. Moderato. Andante. Adagio | Leoš Janáček, Jerusalem Quartet | D♭ Minor | 1 | 12A | 88 BPM | ||
Symphony No. 1 in E Minor, Op. 39: II. Andante (ma non troppo lento) | Jean Sibelius, Oslo Philharmonic Orchestra, Klaus Mäkelä | F♯ Minor | 1 | 11A | 66 BPM | ||
Variations (1963-64): Aldous Huxley in memoriam | Igor Stravinsky, London Sinfonietta, Oliver Knussen | A♭ Major | 1 | 4B | 133 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: III. A tempo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | B♭ Minor | 1 | 3A | 86 BPM | ||
Eine Alpensinfonie: VIII. Stille vor den Sturm - Gewitter und Sturm, Abstieg - Sonnenuntergang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | F♯ Major | 2 | 2B | 73 BPM | ||
Jenufa / Act 1: Prelude | Leoš Janáček, Wiener Philharmoniker, Sir Charles Mackerras | A Major | 1 | 11B | 70 BPM | ||
Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM |
Section: 0.7507305145263672
End: 0.7545864582061768