"Piano Concerto In D Minor, K. 466, 2nd Movement" by Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields was released on January 1, 1984. Since Piano Concerto In D Minor, K. 466, 2nd Movement is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 11 out of 30 in Amadeus (The Complete Soundtrack Recording) by Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields. Piano Concerto In D Minor, K. 466, 2nd Movement is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Concerto In D Minor, K. 466, 2nd Movement by Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian Rhapsody No.2 in C sharp minor, S.244 | Franz Liszt, Michele Campanella | D♭ Major | 1 | 3B | 101 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Tchaikovsky: Piano Concerto No. 2 in G Major, Op. 44: III. Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Vladimir Fedoseyev, Philharmonia Orchestra | G Major | 2 | 9B | 81 BPM | ||
12 Concertos, Op. 3 "L'estro armonico" / Concerto No. 5 in A Major for 2 Violins, RV 519: 3. Allegro | Antonio Vivaldi, Alan Loveday, Carmel Kaine, Christopher Hogwood, Colin Tilney, Robert Spencer, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 138 BPM | ||
Piano Sonata in E minor, H.XVI No.34: 3. Vivace molto, innocentemente | Franz Joseph Haydn, Alfred Brendel | E Major | 1 | 12B | 122 BPM | ||
Piano Sonata No. 13 In B Flat Major, K. 333: I. Allegro | Jenő Jandó, Wolfgang Amadeus Mozart | B♭ Major | 1 | 6B | 127 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: I. Vorspiel - Allegro moderato | Max Bruch, Sir Malcolm Sargent, Jascha Heifetz | D Minor | 2 | 7A | 157 BPM | ||
Toccata & Fugue in D Minor, BWV 565 | Johann Sebastian Bach, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 2 | 7A | 93 BPM | ||
Tristan und Isolde - Concert Version: Liebestod | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 94 BPM | ||
Pelléas et Mélisande, Op. 80: 4. Sicilienne | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM |
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