Johan Helmich Roman, Musica ad Rhenum, Jed Wentz, Job Ter Haar, Michael Borgstede made "Flute Sonata IV in G Major, BeRI 204: II. Allegro" available on December 4, 2015. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Johan Helmich Roman, Musica ad Rhenum, Jed Wentz, Michael Borgstede, Job Ter Haar's "J.H. Roman: 12 Sonatas for Flute and B.C." album is number 11 out of 59. On top of that, Netherlands appears to be the country where this track was created. Flute Sonata IV in G Major, BeRI 204: II. Allegro is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Flute Sonata IV in G Major, BeRI 204: II. Allegro by Johan Helmich Roman, Musica ad Rhenum, Jed Wentz, Job Ter Haar, Michael Borgstede to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Oboes, Strings and String Orchestra in C Major, Op. 7 No. 2: II. Adagio | Tomaso Albinoni, I Solisti Di Perugia, Claudio Brizi, Thomas Indermühle, Jacques Tys, Rino Vernizzi, Frederico del Sordo | C Major | 2 | 8B | 153 BPM | ||
Concerto Armonico No. 2 in B-Flat Major: Largo andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 1 | 12B | 106 BPM | ||
Concerto Armonico I: II. Allegro | Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa | D♭ Major | 3 | 3B | 115 BPM | ||
Telemann: Tafelmusik, Pt. 3, Ouverture-Suite in B-Flat Major, TWV 55:B1: I. Ouverture. Lentement - Presto | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | A Major | 2 | 11B | 130 BPM | ||
Concerti a più istrumenti in F Major, Op. 6 No. 6, IV. Allegro assai | Evaristo Felice Dall'Abaco, Il Tempio Armonico, Davide Monti, Orchestra Barocca di Verona, Alberto Rasi | B Major | 3 | 1B | 128 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": VII. Hornpipe | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Minor | 2 | 12A | 138 BPM | ||
3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: IV. Aria | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 4, Le je-ne-scay-quoy | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Partie 5 en ut majeur: Aria | Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl | B Major | 2 | 1B | 100 BPM | ||
Suite in C Minor: III. Borre | Nicola Matteis, Le Consort | B Major | 0 | 1B | 84 BPM |
Section: 0.5756359100341797
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