3 Pieces for Solo Clarinet, K033: No. 3 (Arr. Horsch for Solo Recorder)
Igor Stravinsky, Lucie Horsch
Origins
1:28 September 23, 2022
BPM
121
Key
A Minor
Camelot
8A

Embed

Share Link

3 Pieces for Solo Clarinet, K033: No. 3 (Arr. Horsch for Solo Recorder) - Igor Stravinsky, Lucie Horsch Information

Acousticness
56%
Danceability
62%
Energy
37%
Instrumentalness
1%
Liveness
4%
Loudness
76%
Speechiness
5%
Valence
66%
Popularity
Loudness
-14.377 dB

Summary

Igor Stravinsky, Lucie Horsch made "3 Pieces for Solo Clarinet, K033: No. 3 (Arr. Horsch for Solo Recorder)" available on September 23, 2022. With 3 Pieces for Solo Clarinet, K033: No. 3 (Arr. Horsch for Solo Recorder) being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "Origins". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, 3 Pieces for Solo Clarinet, K033: No. 3 (Arr. Horsch for Solo Recorder)'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

3 Pieces for Solo Clarinet, K033: No. 3 (Arr. Horsch for Solo Recorder) BPM

With 3 Pieces for Solo Clarinet, K033: No. 3 (Arr. Horsch for Solo Recorder) by Igor Stravinsky, Lucie Horsch having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

3 Pieces for Solo Clarinet, K033: No. 3 (Arr. Horsch for Solo Recorder) Key

This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Symphony No.8 In G, Op.88, B. 163: 1. Allegro con brio by Antonín Dvořák, Berliner Philharmoniker, Rafael KubelíkSymphony No.8 In G, Op.88, B. 163: 1. Allegro con brioAntonín Dvořák, Berliner Philharmoniker, Rafael KubelíkG Major29B74 BPM
Aladdin Suite, Op. 34, FS 89: VII. Negro Dance by Carl Nielsen, South Jutland Symphony Orchestra, Niklas WillenAladdin Suite, Op. 34, FS 89: VII. Negro DanceCarl Nielsen, South Jutland Symphony Orchestra, Niklas WillenB♭ Major36B157 BPM
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Ritual of Abduction by Igor Stravinsky, Berliner Philharmoniker, Herbert von KarajanLe Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Ritual of AbductionIgor Stravinsky, Berliner Philharmoniker, Herbert von KarajanD Minor67A103 BPM
Two Serenades, Op.69: 1. Andante assai, Op.69 No.1 - In D Major by Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André PrevinTwo Serenades, Op.69: 1. Andante assai, Op.69 No.1 - In D MajorJean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André PrevinD Major010B108 BPM
Bluebeard's Castle: VI. Fifth Door - Bluebeard's Vast and Beautiful Kingdom by Béla Bartók, Valery Gergiev, Elenz Zhidkova, London Symphony Orchestra, Willard WhiteBluebeard's Castle: VI. Fifth Door - Bluebeard's Vast and Beautiful KingdomBéla Bartók, Valery Gergiev, Elenz Zhidkova, London Symphony Orchestra, Willard WhiteC Major28B138 BPM
Bolt, Op. 27a (Ballet Suite No. 5): V. Intermezzo by Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry YablonskyBolt, Op. 27a (Ballet Suite No. 5): V. IntermezzoDmitri Shostakovich, Russian State Symphony Orchestra, Dmitry YablonskyA♭ Major04B65 BPM
Czech Suite in D Major, Op. 39, B. 93: I. Preludium. Allegro moderato by Antonín Dvořák, Prague Chamber Orchestra, Josef VlachCzech Suite in D Major, Op. 39, B. 93: I. Preludium. Allegro moderatoAntonín Dvořák, Prague Chamber Orchestra, Josef VlachD Major110B81 BPM
Le tombeau de Couperin (version for orchestra): No. 4. Rigaudon by Maurice Ravel, Orchestre National De Lyon, Leonard SlatkinLe tombeau de Couperin (version for orchestra): No. 4. RigaudonMaurice Ravel, Orchestre National De Lyon, Leonard SlatkinB♭ Major36B93 BPM
Das Lied von der Erde: Der Einsame im Herbst by Gustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre BoulezDas Lied von der Erde: Der Einsame im HerbstGustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre BoulezB♭ Major06B134 BPM
Symphony No. 4 in G Major: IV. Sehr behaglich: Symphony No. 4 in G Major: IV. Sehr behaglich: "Wir genießen die himmlischen Freuden"Gustav Mahler, Juliane Banse, Cleveland Orchestra, Pierre BoulezE Major012B110 BPM
ISRC
GBBBC2200448
Label
L-M Records/RCA Records

Section: 0.6301660537719727

End: 0.6347546577453613