François Collin de Blamont, Arion Orchestre Baroque, Mathieu Lussier's 'Les fêtes grecques et romaines: I. Ouverture' came out on September 8, 2023. The duration of Les fêtes grecques et romaines: I. Ouverture is about 3 minutes long, at 3:20. Based on our data, "Les fêtes grecques et romaines: I. Ouverture" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Arion Orchestre Baroque, Mathieu Lussier's "Les soupers du roy" album is number 11 out of 26. On top of that, Canada appears to be the country where this track was created. Based on our statistics, Les fêtes grecques et romaines: I. Ouverture's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les fêtes grecques et romaines: I. Ouverture by François Collin de Blamont, Arion Orchestre Baroque, Mathieu Lussier to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Masque of Neptune and Amphitrite: "Great Nephew Aeolus" | Pelham Humfrey, Nicky Kennedy, Rachel Elliott, Roderick Williams, Andrew King, Paul Agnew, Musicians Of The Globe, Philip Pickett | A Major | 1 | 11B | 100 BPM | ||
Ariette "D'amor per te languisco", H. 767, Wq. 213 | Carl Philipp Emanuel Bach, Chantal Santon Jeffery, Jean Brégnac, Nicolas Bouils, Jennifer Hardy, Yoann Moulin | B♭ Minor | 3 | 3A | 69 BPM | ||
Concerto grosso in D Major, Op. 3 No. 4: II. Allegro ardito | Pietro Castrucci, Antonio Anselmi, Marco Serino, Vito Paternoster, I Musici | D Minor | 3 | 7A | 71 BPM | ||
Concerto for Violin in G Minor, BWV 1056r: II. Largo | Johann Sebastian Bach, Combattimento | B♭ Major | 1 | 6B | 120 BPM | ||
Violin Concerto in D Major, Op. 3, No. 5: III. Presto | Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' | D Major | 3 | 10B | 133 BPM | ||
Suitte en Trio No. 2 in A Major, Op. 1: II. Allemande | Louis-Antoine Dornel, Musica Barocca | E♭ Major | 2 | 5B | 131 BPM | ||
Didon (Cantata for solo voice and orchestra): Air: "Courez à la victoire" | François Collin de Blamont, Jennifer Smith, Les Musiciens du Louvre, Marc Minkowski | C Minor | 0 | 5A | 79 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: VI. Ayre | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Violin Sonata in G Major, Op. 2 No. 5: IV. Gigue. Allegro assai | Michele Mascitti, Fabrizio Cipriani, Antonio Fantinuoli | A♭ Minor | 1 | 1A | 73 BPM | ||
Concerto VII in F Major: IV. Allegro | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | F Major | 2 | 7B | 109 BPM |
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