"Masque of Neptune and Amphitrite: "Great Nephew Aeolus"" by Pelham Humfrey, Nicky Kennedy, Rachel Elliott, Roderick Williams, Andrew King, Paul Agnew, Musicians Of The Globe, Philip Pickett was released on April 3, 1998. The duration of Masque of Neptune and Amphitrite: "Great Nephew Aeolus" is about 3 minutes long, at 3:19. Based on our data, "Masque of Neptune and Amphitrite: "Great Nephew Aeolus"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 30 in the song's album "The Enchanted Island - Music For A Restoration "Tempest"". In this album, this song's track order is #25. In terms of popularity, Masque of Neptune and Amphitrite: "Great Nephew Aeolus" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Masque of Neptune and Amphitrite: "Great Nephew Aeolus" by Pelham Humfrey, Nicky Kennedy, Rachel Elliott, Roderick Williams, Andrew King, Paul Agnew, Musicians Of The Globe, Philip Pickett having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Paschalis, ZWV 7: Credo. Crucifixus | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | A♭ Minor | 2 | 1A | 119 BPM | ||
Fortune and Glory | The Royal Wind Music | A♭ Minor | 2 | 1A | 73 BPM | ||
All'imperio d'Amore: 8. Non havea Febo ancora a voce sola | Antonio Brunelli, Ensemble Pygmalion, Renato Dolcini, Raphael Pichon | G Major | 4 | 9B | 133 BPM | ||
Membra Jesu Nostri, BuxWV 75: Concerto [Ad pedes] | Dietrich Buxtehude, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Ricercar Consort, Matthias Vieweg | D♭ Major | 3 | 3B | 114 BPM | ||
O Sing Unto the Lord, Z44: Symphony - O Sing - Sing Unto the Lord - The Lord is Great - O Worship - Tell it Out | Henry Purcell, The Sixteen, Harry Christophers | G Major | 4 | 9B | 105 BPM | ||
Stabat Mater in G Minor: V. Vidit suum | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | B Major | 2 | 1B | 81 BPM | ||
Caccini: Così, perfida Alcina | Francesca Caccini, Christina Pluhar, L'Arpeggiata, Luciana Mancini | F Major | 2 | 7B | 88 BPM | ||
Beatus vir, ZWV 75: Gloria Patri - After Psalm 111 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Minor | 1 | 1A | 103 BPM | ||
Cantigas de Santa Maria: Non sofre Santa Maria - Por dereito ten a Virgen | Alfonso X El Sabio, New London Consort, Philip Pickett | A♭ Minor | 0 | 1A | 121 BPM | ||
Christ lag in Todes Banden, BWV 4: IV. Aria "Jesus Christus, Gottes Sohn" | Johann Sebastian Bach, Paul Agnew, Les Arts Florissants, Thomas Hobbs | E Major | 4 | 12B | 101 BPM |
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