On May 19, 2017, the song "All'imperio d'Amore: 8. Non havea Febo ancora a voce sola" was released by Antonio Brunelli, Ensemble Pygmalion, Renato Dolcini, Raphael Pichon. With All'imperio d'Amore: 8. Non havea Febo ancora a voce sola being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 37 in the song's album "Stravaganza d'Amore! The Birth of Opera at the Medici Court". In this album, this song's track order is #8. Based on our statistics, All'imperio d'Amore: 8. Non havea Febo ancora a voce sola's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With All'imperio d'Amore: 8. Non havea Febo ancora a voce sola by Antonio Brunelli, Ensemble Pygmalion, Renato Dolcini, Raphael Pichon having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Circe: X. Deuxième Menuet pour les mêmes | Henri Desmarets, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs | C Minor | 0 | 5A | 101 BPM | ||
Suite in C Minor: II. Andamento | Nicola Matteis, Le Consort | B Major | 0 | 1B | 84 BPM | ||
Messa della Madonna: Recercar Dopo il Credo | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
Buxtehude: Membra Jesu nostri, BuxWV 75: VI. Ad cor. "Vulnerasti cor meum" | Dietrich Buxtehude, Ton Koopman, Barbara Schlick, Monika Frimmer, Peter Kooij, Knabenchor Hannover, Amsterdam Baroque Orchestra | C Minor | 0 | 5A | 69 BPM | ||
Première suite à 3 violes in D Major: No. 2, Allemande | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 1 | 4B | 145 BPM | ||
Te Deum "de Lyon": VII. Tu rex gloriæ, Christe | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Eugénie Lefebvre | B♭ Major | 4 | 6B | 106 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 3: II. Andante, sempre Piano | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Major | 1 | 12B | 80 BPM | ||
Stabat Mater in G Minor: III. Quis est homo | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | D♭ Minor | 1 | 12A | 86 BPM | ||
Veni Sponsa Christi | Antonio Brunelli, Carlo Ipata, Andrea Perugi, Rossana Bertini, Elena Cecchi-Fedi, Claudio Cavina, Marco Scavazza | F Major | 0 | 7B | 89 BPM | ||
Litanies de la Vierge, H. 83: Litanies de la Vierge, H. 83: I. Kyrie | Marc-Antoine Charpentier, Les Arts Florissants, Anne Marie Lasla, William Christie, Kaori Uemura | D♭ Minor | 0 | 12A | 100 BPM |
Section: 0.5526413917541504
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