"10ème symphonie "Romane", Op. 73: Cantilène (Lento)" by Charles-Marie Widor, Michel Bouvard was released on October 1, 1996. 10ème symphonie "Romane", Op. 73: Cantilène (Lento) is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. This song is part of Vierne: Messe solennelle pour deux orgues et choeur - Widor: 10ème symphonie "Romane" (Orgue A. Cavaillé-Coll Toulouse) by Michel Bouvard, Ensemble Les Eléments, Joël Suhubiette. The song's track number on the album is #12 out of 13 tracks. 10ème symphonie "Romane", Op. 73: Cantilène (Lento) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since 10ème symphonie "Romane", Op. 73: Cantilène (Lento) by Charles-Marie Widor, Michel Bouvard has a tempo of 72 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With 10ème symphonie "Romane", Op. 73: Cantilène (Lento) being at 72 BPM, the half-time would be 36 BPM with a double-time of 144 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Roi s'amuse, Scène du bal: II. Pavane, "Belle qui tiens ma vie" | Léo Delibes, Neeme Järvi, Estonian National Symphony Orchestra | B♭ Minor | 0 | 3A | 60 BPM | ||
Rigaudon de Louis XIV in C Major | Jean-Baptiste Lully, Ian Tracey | A♭ Major | 3 | 4B | 173 BPM | ||
Fanfare (Lemmens) | Arturo Sacchetti | D Major | 3 | 10B | 104 BPM | ||
Magnificat, W. E22: Et misericordia eius (Chorus) | Johann Christian Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider | B Major | 3 | 1B | 64 BPM | ||
Requiem in C Minor: I. Introitus | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | A♭ Major | 0 | 4B | 58 BPM | ||
Toccata | Charles-Marie Widor, Huw Williams | F Major | 3 | 7B | 59 BPM | ||
Abendlied, Op. 69 No. 3 | Josef Rheinberger, The Cambridge Singers, John Rutter | F Major | 1 | 7B | 69 BPM | ||
Fantasia in F Minor, K. 608 | Wolfgang Amadeus Mozart, Ivan Ronda | G Minor | 2 | 6A | 73 BPM | ||
Gloria: Cum Sancto Spiritu | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 3 | 3B | 121 BPM | ||
Trumpet Tune in C Major, ZT 697 (Arr. for Brass Ensemble and Organ) | Henry Purcell, The Michael Laird Brass Ensemble, Peter Hurford | D Major | 1 | 10B | 99 BPM |
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