"Le Roi s'amuse, Scène du bal: II. Pavane, "Belle qui tiens ma vie"" by Léo Delibes, Neeme Järvi, Estonian National Symphony Orchestra was released on March 1, 2021. The duration of Le Roi s'amuse, Scène du bal: II. Pavane, "Belle qui tiens ma vie" is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Le Roi s'amuse, Scène du bal: II. Pavane, "Belle qui tiens ma vie"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 23 in French Music for the Stage by Neeme Järvi, Estonian National Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Le Roi s'amuse, Scène du bal: II. Pavane, "Belle qui tiens ma vie" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Le Roi s'amuse, Scène du bal: II. Pavane, "Belle qui tiens ma vie" by Léo Delibes, Neeme Järvi, Estonian National Symphony Orchestra is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lohengrin, WWV 75: Prelude to Act I - Live | Richard Wagner, Gewandhausorchester, Andris Nelsons | A Major | 1 | 11B | 72 BPM | ||
Holberg Suite, Op. 40: IV. Air (Andante religioso) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | B♭ Major | 0 | 6B | 86 BPM | ||
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM | ||
Notturno For Piano, Violin And Violoncello In E Flat Major, Op. 148, D 897 | Franz Schubert, Anne-Sophie Mutter, Daniil Trifonov, Maximilian Hornung | B♭ Major | 0 | 6B | 129 BPM | ||
Sibelius: Impromptu for String Orchestra (From Impromptu, Op. 5) | Jean Sibelius, The Helsinki Strings, Csaba Szilvay, Géza Szilvay | A Major | 4 | 11B | 98 BPM | ||
Dido and Aeneas, Z. 626: Overture | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | B Minor | 2 | 10A | 91 BPM | ||
Quintet No. 4 in D Major, G 448: IV. Fandango | Luigi Boccherini, Miloš Karadaglić, Jonathan Cohen, Arcangelo | C Major | 1 | 8B | 108 BPM | ||
Berceuse, Op. 16 (Version for Violin and Orchestra) | Gabriel Fauré, Renaud Capuçon, Orchestre de Chambre de Lausanne | D Major | 0 | 10B | 95 BPM | ||
The Birds, P. 154: IV. The Nightingale (L'usignolo) | Ottorino Respighi, Orpheus Chamber Orchestra | C Major | 0 | 8B | 85 BPM | ||
Mandolin Concerto in G Major, S. 28: I. Allegro moderato | Johann Nepomuk Hummel, Howard Shelley, London Mozart Players, Alison Stephens | G Major | 1 | 9B | 119 BPM |
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