Thaïs: Meditation (Arr. for Violin and Piano)
Jules Massenet, Matvey Lapin, Katya Kramer-Lapin
Classical Music for All Time
4:31 May 17, 2024
BPM
85
Key
D Major
Camelot
10B

Embed

Share Link

Thaïs: Meditation (Arr. for Violin and Piano) - Jules Massenet, Matvey Lapin, Katya Kramer-Lapin Information

Acousticness
98%
Danceability
22%
Energy
14%
Instrumentalness
18%
Liveness
8%
Loudness
72%
Speechiness
4%
Valence
4%
Popularity
Loudness
-16.533 dB

Summary

"Thaïs: Meditation (Arr. for Violin and Piano)" by Jules Massenet, Matvey Lapin, Katya Kramer-Lapin was released on May 17, 2024. With this song being about 5 minutes long, at 4:31, "Thaïs: Meditation (Arr. for Violin and Piano)" by Jules Massenet, Matvey Lapin, Katya Kramer-Lapin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 19 out of 40 in Classical Music for All Time by Various Artists. Thaïs: Meditation (Arr. for Violin and Piano) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Thaïs: Meditation (Arr. for Violin and Piano) BPM

The tempo marking of Thaïs: Meditation (Arr. for Violin and Piano) by Jules Massenet, Matvey Lapin, Katya Kramer-Lapin is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.

Thaïs: Meditation (Arr. for Violin and Piano) Key

This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace by Johannes Brahms, Royal Concertgebouw Orchestra, Bernard HaitinkSerenade No. 2 in A Major, Op. 16: 2. Scherzo. VivaceJohannes Brahms, Royal Concertgebouw Orchestra, Bernard HaitinkA Major111B179 BPM
Capriol Suite: 5. Pied-en- l'air by Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerCapriol Suite: 5. Pied-en- l'airPeter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerG Major19B113 BPM
Pictures at an Exhibition (Orch. M. Ravel): Promenade II by Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキンPictures at an Exhibition (Orch. M. Ravel): Promenade IIModest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキンA♭ Major04B73 BPM
The Gadfly Suite, Op. 97a: No. 8 Romance by Dmitri Shostakovich, Charlie Siem, Munich Radio Orchestra, Paul GoodwinThe Gadfly Suite, Op. 97a: No. 8 RomanceDmitri Shostakovich, Charlie Siem, Munich Radio Orchestra, Paul GoodwinD♭ Major13B133 BPM
Etude in F Minor by Felix Mendelssohn, Benjamin FrithEtude in F MinorFelix Mendelssohn, Benjamin FrithB♭ Major06B75 BPM
Brook Green Suite: II. Air by Gustav Holst, English Sinfonia, Howard GriffithsBrook Green Suite: II. AirGustav Holst, English Sinfonia, Howard GriffithsF Major17B127 BPM
Fauré: Pavane, Op. 50 by Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the FieldsFauré: Pavane, Op. 50Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the FieldsF♯ Minor111A70 BPM
Concerto en ré mineur, BWV 974: II. Adagio by Johann Sebastian Bach, Alexandre TharaudConcerto en ré mineur, BWV 974: II. AdagioJohann Sebastian Bach, Alexandre TharaudD Minor27A85 BPM
Nocturne No. 12 In G Major, H. 58d: Nocturne No. 12 In G Major by Benjamin Frith, John FieldNocturne No. 12 In G Major, H. 58d: Nocturne No. 12 In G MajorBenjamin Frith, John FieldG Major09B125 BPM
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) by Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano)Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-MasonA Major111B89 BPM
ISRC
UK6822200772
Label
L-M Records/RCA Records

Section: 0.7081634998321533

End: 0.715221643447876