"Suite For Wind Orchestra From "The Threepenny Opera" (1928): 5. Polly's Song: Andante con moto" by Kurt Weill, London Sinfonietta, David Atherton was released on January 1, 1976. The duration of Suite For Wind Orchestra From "The Threepenny Opera" (1928): 5. Polly's Song: Andante con moto is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Suite For Wind Orchestra From "The Threepenny Opera" (1928): 5. Polly's Song: Andante con moto's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weill: Kleine Dreigroschenmusik; Mahagonny Songspiel; Happy End; Berliner Requiem; Violin Concerto by Kurt Weill, London Sinfonietta, David Atherton. The song's track number on the album is #5 out of 42 tracks. Suite For Wind Orchestra From "The Threepenny Opera" (1928): 5. Polly's Song: Andante con moto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Suite For Wind Orchestra From "The Threepenny Opera" (1928): 5. Polly's Song: Andante con moto by Kurt Weill, London Sinfonietta, David Atherton has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Suite For Wind Orchestra From "The Threepenny Opera" (1928): 5. Polly's Song: Andante con moto being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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La Cenerentola / Act 2: "Non più mesta" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Alessandro Corbelli, Enzo Dara, Michele Pertusi, Fernanda Costa, Gloria Banditelli, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E Major | 3 | 12B | 137 BPM | ||
Kleine Dreigroschenmusik (Little Threepenny Music): The Moritat of Mack The Knife (Moderato assai) | Kurt Weill, Members Of The London Symphony Orchestra, Michael Tilson Thomas | A Minor | 1 | 8A | 177 BPM | ||
The People United Will Never Be Defeated! - 36 Variations on ¡El pueblo unido jamás será vencido!: Thema. With determination | Frederic Rzewski, Igor Levit | D Minor | 1 | 7A | 99 BPM | ||
Youkali | Kurt Weill, Ute Lemper, Jeff Cohen, Rias-Sinfonietta Berlin, John Mauceri | G Minor | 1 | 6A | 79 BPM | ||
Die Dreigroschenoper: Hochzeitslied | Kurt Weill, Rolf Boysen, René Kollo, RIAS Kammerchor, Rias-Sinfonietta Berlin, John Mauceri | G Major | 1 | 9B | 86 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Bellini: Norma, Act 1: Casta diva (Norma, Chorus) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Dino Olivieri, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Vittore Veneziani | F Major | 2 | 7B | 83 BPM | ||
Carmen, WD 31 / Act I: Séguedille et Duo: "Près des remparts de Séville" | Georges Bizet, Elina Garanca, Roberto Alagna, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | F♯ Major | 1 | 2B | 127 BPM | ||
Scaramouche, Op. 165: III. Brazileira | Darius Milhaud, Ludmila Peterková, Irina Kondratenko | C Major | 2 | 8B | 175 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: The Augurs of Spring: Dances of the Young Girls | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | A♭ Minor | 3 | 1A | 104 BPM |
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