"Totus Tuus, Op. 60" by Henryk Górecki, The Sixteen, Harry Christophers was released on March 24, 2023. Since Totus Tuus, Op. 60 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Arvo Pärt, John Tavener, Henryk Górecki's "Holy Minimalism - Tavener, Pärt & Górecki" album is number 29 out of 51. On top of that, United Kingdom appears to be the country where this track was created. Totus Tuus, Op. 60 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Totus Tuus, Op. 60 by Henryk Górecki, The Sixteen, Harry Christophers to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | A Minor | 0 | 8A | 114 BPM | ||
The Spheres | Ola Gjeilo, Tenebrae, The Chamber Orchestra Of London | C Minor | 1 | 5A | 79 BPM | ||
Symphony No. 3, Op. 36 (1976) 'Symphony of Sorrowful Songs': II. Lento e largo - Tranquilissimo | Henryk Górecki, John Axelrod | F♯ Major | 1 | 2B | 74 BPM | ||
Recomposed By Max Richter: Vivaldi, The Four Seasons: Shadow 3 | Max Richter | C Major | 4 | 8B | 131 BPM | ||
Sonata For Solo Cello: I. Dialogo: Adagio, rubato, cantabile | György Ligeti, Miklós Perényi | G Major | 0 | 9B | 69 BPM | ||
Song For Athene | John Tavener, Nicola Benedetti, London Philharmonic Orchestra, Andrew Litton | B♭ Major | 0 | 6B | 97 BPM | ||
Stabat Mater: Stabat Mater: I. Stabat mater dolorosa | Francis Poulenc, Cappella Amsterdam, Estonian National Symphony Orchestra, Estonian Philharmonic Chamber Choir, Daniel Reuss | A Minor | 1 | 8A | 135 BPM | ||
Musica ricercata: No. 7, Cantabile, molto legato | György Ligeti, Pierre-Laurent Aimard | B♭ Major | 0 | 6B | 110 BPM | ||
Dido and Aeneas, Z.626 / Act 3: "Thy Hand Belinda - When I Am Laid In Earth" | Henry Purcell, Catherine Bott, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 83 BPM | ||
Blessed Raspberry Songs, Op. 43: No. 3, Compassion | Henryk Górecki, Ewa Guz-Seroka, Robert Gierlach | D♭ Major | 0 | 3B | 61 BPM |
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