Pierre Boulez, Pi-hsien Chen's 'Douze Notations Pour Piano (1945): Lent - Puissant et Âpre' came out on 2005. With Douze Notations Pour Piano (1945): Lent - Puissant et Âpre being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "Notations & Piano Sonatas". In this album, this song's track order is #12. Based on our statistics, Douze Notations Pour Piano (1945): Lent - Puissant et Âpre's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Douze Notations Pour Piano (1945): Lent - Puissant et Âpre by Pierre Boulez, Pi-hsien Chen having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Water Music: Suite No. 2 in D Major, HWV 349, V. Bourrée | George Frideric Handel, Pierre Boulez, New York Philharmonic | D Major | 3 | 10B | 97 BPM | ||
Water Music: Suite No. 1 in F Major, HWV 348, XI. Minuet | George Frideric Handel, Pierre Boulez, New York Philharmonic | F Major | 1 | 7B | 102 BPM | ||
Ma mère l'oye, ballet, M. 62: 3. Les Entretiens de la Belle et de la Bête.Mouvement de Valse modéré | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | G Minor | 0 | 6A | 89 BPM | ||
Nocturnes, L.91: III. Sirènes | Claude Debussy, Cleveland Orchestra, Pierre Boulez, Ladies of the Cleveland Orchestra Chorus | F♯ Major | 0 | 2B | 81 BPM | ||
"Pomp and Circumstance," Op.39: March, No.2 In A Minor | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B Minor | 2 | 10A | 132 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: III. A tempo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | B♭ Minor | 1 | 3A | 86 BPM | ||
Piano Quartet in E Flat Major, Op.47: Piano Quartet in E Flat Major, Op.47: III. Andante cantabile | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | B♭ Major | 0 | 6B | 74 BPM | ||
Symphony No.9 In E Minor, Op.95, B.178 - "From The New World": 1. Adagio - Allegro molto | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 1 | 9B | 118 BPM | ||
Water Music: Suite No. 1 in F Major, HWV 348, IX. [Allegro] | George Frideric Handel, Pierre Boulez, New York Philharmonic | D Minor | 2 | 7A | 133 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: III. Allegro scherzando | Sergei Rachmaninoff, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 2 | 4A | 121 BPM |
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