Nicola Porpora, Anna Holbling, Quido Holbling, Daniela Ruso, Vladimir Ruso, Ján Slávik made "Sinfonia da camera, Op. 2, No. 6: Allegro" available on February 22, 1993. The duration of Sinfonia da camera, Op. 2, No. 6: Allegro is about 3 minutes long, at 3:14. Based on our data, "Sinfonia da camera, Op. 2, No. 6: Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Anna Holbling's "Italian Baroque Favourites" album is number 21 out of 23. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Sinfonia da camera, Op. 2, No. 6: Allegro's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Sinfonia da camera, Op. 2, No. 6: Allegro by Nicola Porpora, Anna Holbling, Quido Holbling, Daniela Ruso, Vladimir Ruso, Ján Slávik to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hippolyte et Aricie, RCT 43, Acte I, Scène I: Prélude - Air accompagné "Temple sacré, séjour tranquille" | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 2 | 3B | 116 BPM | ||
Rinaldo, HWV 7b: Act II Scene 4: Aria: Lascia ch’io pianga (Almirena) | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | D Minor | 5 | 7A | 155 BPM | ||
Predieri: Scipione il giovane, Act 1: "Finche salvo è l'amor suo" (Scipione) | Luca Antonio Predieri, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | A Major | 2 | 11B | 118 BPM | ||
Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 73 BPM | ||
Eia Mater: Andantino | Giovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara Mingardo | E Minor | 0 | 9A | 0 BPM | ||
Polifemo: Aria: Nell'attendere il mio bene - Aci | Nicola Porpora, Yuriy Mynenko, George Petrou, Armonia Atenea | A♭ Minor | 1 | 1A | 133 BPM | ||
Zelenka: Barbara, dira effera, ZWV 164: I. Barbara, dira, effera | Jan Dismas Zelenka, Jakub Józef Orliński, Francesco Corti, Il Pomo D'oro | E Major | 5 | 12B | 121 BPM | ||
Stabat Mater: VII. Juxta crucem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Dido and Aeneas / Act 1: "Shake the cloud from off your brow" | Henry Purcell, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | C Minor | 1 | 5A | 103 BPM | ||
Dixit Dominus (Salmo 109), RV 594: III. Virgam virtutis tuae | Antonio Vivaldi, Concerto Italiano, Rinaldo Alessandrini, Gemma Bertagnolli, Roberta Invernizzi | D Major | 2 | 10B | 112 BPM |
Section: 0.6099576950073242
End: 0.6131136417388916