"Messa da Requiem: 7. Libera me" by Giuseppe Verdi, Sharon Sweet, Berliner Philharmoniker, Carlo Maria Giulini, Ernst Senff Chor was released on January 1, 2008. Messa da Requiem: 7. Libera me appears to be safe for all ages as it is not explicit. This song is part of Verdi: Messa da Requiem by Giuseppe Verdi, Sharon Sweet, Florence Quivar, Vinson Cole, Simon Estes, Berliner Philharmoniker, Carlo Maria Giulini. The song's track number on the album is #5 out of 15 tracks. Based on our data, Germany was the country where this track was produced or recorded. Messa da Requiem: 7. Libera me is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Messa da Requiem: 7. Libera me by Giuseppe Verdi, Sharon Sweet, Berliner Philharmoniker, Carlo Maria Giulini, Ernst Senff Chor has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Messa da Requiem: 7. Libera me being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana / 2. In Taberna: "Estuans interius" | Carl Orff, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | A Minor | 4 | 8A | 84 BPM | ||
Tosca / Act II: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E♭ Major | 1 | 5B | 82 BPM | ||
Das Liebesverbot: Overture | Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli | G Major | 6 | 9B | 120 BPM | ||
Puccini: Tosca / Act 2 - "Vissi d'arte, vissi d'amore" | Kiri Te Kanawa, National Philharmonic Orchestra, Sir Georg Solti | E♭ Major | 2 | 5B | 92 BPM | ||
La Gioconda / Act 2: "Cielo e mar!" | Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | E♭ Major | 2 | 5B | 84 BPM | ||
Contes d'Hoffmann: Les oiseaux dans la charnille | Jacques Offenbach, Olga Peretyatko, Miguel Gomez-Martinez | B♭ Major | 2 | 6B | 96 BPM | ||
Rigoletto / Act 1: Figlia! / Mio padre! | Giuseppe Verdi, Ileana Cotrubas, Piero Cappuccilli, Wiener Philharmoniker, Carlo Maria Giulini | D♭ Major | 1 | 3B | 82 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" | Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 77 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | ||
Nabucco / Act IV: Su me ... morente ...esanime | Giuseppe Verdi, Ghena Dimitrova, Yevgeny Nesterenko, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | E Major | 0 | 12B | 82 BPM |
Section: 0.777911901473999
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