"Nabucco / Act IV: Su me ... morente ...esanime" by Giuseppe Verdi, Ghena Dimitrova, Yevgeny Nesterenko, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin was released on January 1, 1983. The duration of Nabucco / Act IV: Su me ... morente ...esanime is about 3 minutes long, at 3:29. Based on our data, "Nabucco / Act IV: Su me ... morente ...esanime" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi: Nabucco by Giuseppe Verdi, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli. The song's track number on the album is #24 out of 44 tracks. Nabucco / Act IV: Su me ... morente ...esanime is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Nabucco / Act IV: Su me ... morente ...esanime by Giuseppe Verdi, Ghena Dimitrova, Yevgeny Nesterenko, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Nabucco / Act IV: Su me ... morente ...esanime being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le nozze di Figaro, K. 492 / Act 4: "Aprite un po' quegli occhi" | Wolfgang Amadeus Mozart, Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm | E♭ Major | 2 | 5B | 136 BPM | ||
Verdi: La traviata, Act 1: "Ah, fors'è lui" (Violetta) | Giuseppe Verdi, Maria Callas, Gabriele Santini, Orchestra Sinfonica della RAI | F Major | 1 | 7B | 86 BPM | ||
La Vestale (1997 Digital Remaster): O nome tutelar | Tullio Serafin, Maria Callas, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 86 BPM | ||
Nabucco / Act 1: Viva Nabucco! | Giuseppe Verdi, Ghena Dimitrova, Yevgeny Nesterenko, Plácido Domingo, Piero Cappuccilli, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | A Major | 3 | 11B | 79 BPM | ||
Zar & Zimmermann: Greifet an und rührt die Hände | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | F Major | 4 | 7B | 129 BPM | ||
La Traviata / Act 1: Un dì felice, eterea | Giuseppe Verdi, Jean-Francois Borras, Nathalie Manfrino, Samuel Jean, Orchestre National Avignon-Provence | C Major | 4 | 8B | 70 BPM | ||
Tannhäuser / Act II: "Gar viel und schön" | Richard Wagner, Thomas Quasthoff, Orchester der Deutschen Oper Berlin, Christian Thielemann, Chor der Deutschen Oper Berlin | E Minor | 2 | 9A | 72 BPM | ||
Messa da Requiem: 2d. Liber scriptus | Giuseppe Verdi, Marilyn Horne, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | F♯ Minor | 0 | 11A | 89 BPM | ||
I Puritani | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 4: No. 5a, Air et Choeur, "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 101 BPM |
Section: 0.7345869541168213
End: 0.739879846572876