- BPM
- 81
- Key
- F Minor
- Camelot
- 4A
Cavalleria rusticana: Act I: Turiddu, ascolta! - Pietro Mascagni, Renata Scotto, Plácido Domingo, James Levine Information
- Acousticness
- 95%
- Danceability
- 27%
- Energy
- 29%
- Instrumentalness
- 1%
- Liveness
- 25%
- Loudness
- 78%
- Speechiness
- 4%
- Valence
- 12%
- Popularity
- 2%
- Loudness
- -13.143 dB
Summary
"Cavalleria rusticana: Act I: Turiddu, ascolta!" by Pietro Mascagni, Renata Scotto, Plácido Domingo, James Levine was released on 1979. With this song being about 5 minutes long, at 5:02, "Cavalleria rusticana: Act I: Turiddu, ascolta!" by Pietro Mascagni, Renata Scotto, Plácido Domingo, James Levine is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Pietro Mascagni, James Levine's "Mascagni: Cavalleria Rusticana - The Sony Opera House" album is number 13 out of 21. Cavalleria rusticana: Act I: Turiddu, ascolta! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Cavalleria rusticana: Act I: Turiddu, ascolta! BPM
We consider the tempo marking of Cavalleria rusticana: Act I: Turiddu, ascolta! by Pietro Mascagni, Renata Scotto, Plácido Domingo, James Levine to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Cavalleria rusticana: Act I: Turiddu, ascolta! Key
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Swan Lake, Op. 20 | Tim Fain, Robert Koenig | F♯ Minor | 2 | 11A | 85 BPM | |
 | Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | |
 | Klavierkonzert Nr. 21 C-Dur, K. 467, "Elvira Madigan": 2. Andante (Elvira Madigan): II. Andante | Wolfgang Amadeus Mozart, Jenő Jandó, Concentus Hungaricus, András Ligeti | F Major | 0 | 7B | 126 BPM | |
 | Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 92 BPM | |
 | Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | |
 | Cavalleria Rusticana: Intermezzo Sinfonico | Pietro Mascagni, Balthasar Neumann Orchestra, Thomas Hengelbrock | E♭ Major | 1 | 5B | 76 BPM | |
 | Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria | Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick Davin | B♭ Major | 0 | 6B | 78 BPM | |
 | Albinoni: Adagio in G Minor | Tomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 90 BPM | |
 | Scheherazade: The voice of Scheherazade | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 132 BPM | |
 | Speaking Unto Nations (Beethoven Symphony no 7 - II ) | Ludwig van Beethoven, Terry Davies, Members Of The London Symphony Orchestra | E Minor | 0 | 9A | 83 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.9332821369171143
End: 0.9389848709106445