John Cage, Cornelius Cardew, Hans Werner Henze, Tom Johnson, Hermann Kretzschmar, Erwin Schulhoff, Howard Skempton, Anton Webern, Ensemble Modern, Ingo Schulze, Judith Engel, Sylvester Groth, Thomas Thieme's 'Epiphanie' came out on 2016. Epiphanie appears to be safe for all ages as it is not explicit. The song is number 2 out of 7 in Die Abflussrohre spuckten ihre Eisblöcke wie abgelutschte Bonbons auf den Gehsteig by Erwin Schulhoff, Cornelius Cardew, Hermann Kretzschmar, Tom Johnson, Howard Skempton, Anton Webern, John Cage, Hans Werner Henze, Ensemble Modern. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Epiphanie's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Epiphanie by John Cage, Cornelius Cardew, Hans Werner Henze, Tom Johnson, Hermann Kretzschmar, Erwin Schulhoff, Howard Skempton, Anton Webern, Ensemble Modern, Ingo Schulze, Judith Engel, Sylvester Groth, Thomas Thieme is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Twelve Preludes For Piano (1953): I | Galina Ustvolskaya, Marianne Schroeder | D Minor | 0 | 7A | 68 BPM | ||
Lux Aurumque - Arr. for Marimba Quartet | Eric Whitacre, Joby Burgess, Sam Wilson, Calum Huggan, Rob Farrer | D♭ Minor | 0 | 12A | 147 BPM | ||
Dream | John Cage, Alexei Lubimov | C Minor | 0 | 5A | 67 BPM | ||
China Gates | John Adams | E♭ Minor | 1 | 2A | 165 BPM | ||
Six Little Piano Pieces, Op. 19: Leicht, zart | Arnold Schoenberg, Paul Jacobs | G Major | 0 | 9B | 76 BPM | ||
Four Dirges, Sz. 45, Op. 9a: 1. Adagio | Béla Bartók, Alexei Lubimov | E Major | 0 | 12B | 0 BPM | ||
7 Papillons: No. 4. — | Kaija Saariaho, Anssi Karttunen | G Major | 0 | 9B | 79 BPM | ||
Schoenberg: 6 Little Piano Pieces, Op. 19: No. 1 Leicht, zart | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A Minor | 0 | 8A | 69 BPM | ||
Feuillets inédits: No. 4. Lent | Olivier Messiaen, Louise Bessette, Estelle Lemire | F Major | 1 | 7B | 95 BPM | ||
7 Papillons: No. 2. — | Kaija Saariaho, Anssi Karttunen | D Major | 1 | 10B | 117 BPM |
Section: 0.5266494750976562
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