- BPM
- 64
- Key
- B Minor
- Camelot
- 10A
Morfa Rhuddlan for Harpe and Voice (The Red Marsh) - Grace Williams, Jeremy Huw Williams, Rachel Kay Green Information
- Acousticness
- 94%
- Danceability
- 35%
- Energy
- 22%
- Instrumentalness
- 64%
- Liveness
- 21%
- Loudness
- 73%
- Speechiness
- 5%
- Valence
- 42%
- Popularity
- 0%
- Loudness
- -15.921 dB
Summary
Grace Williams, Jeremy Huw Williams, Rachel Kay Green made "Morfa Rhuddlan for Harpe and Voice (The Red Marsh)" available on November 1, 2017. The duration of Morfa Rhuddlan for Harpe and Voice (The Red Marsh) is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Morfa Rhuddlan for Harpe and Voice (The Red Marsh)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Grace Williams, Jeremy Huw Williams, Rachel Kay Green, Paula Fan's "My Last Duchess: The Songs of Grace Williams" album is number 20 out of 28. On top of that, United Kingdom appears to be the country where this track was created. Morfa Rhuddlan for Harpe and Voice (The Red Marsh) is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Morfa Rhuddlan for Harpe and Voice (The Red Marsh) BPM
We consider the tempo marking of Morfa Rhuddlan for Harpe and Voice (The Red Marsh) by Grace Williams, Jeremy Huw Williams, Rachel Kay Green to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Morfa Rhuddlan for Harpe and Voice (The Red Marsh) Key
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Poulenc: Flute Sonata, FP 164: II. Cantilena | Francis Poulenc, Emmanuel Pahud, Eric Le Sage | B♭ Minor | 0 | 3A | 64 BPM | |
 | Nocturnes, L. 91: 1. Nuages | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 83 BPM | |
 | Taktakishvili: Sonata: Aria: Moderato con moto | Otar Taktakishvili, Brian Luce, Rex Woods | D Minor | 1 | 7A | 95 BPM | |
 | Fugue in D minor (Strings) | Ernesto Chew | D Minor | 1 | 7A | 84 BPM | |
 | String Quartet No. 12 in F Major, Op. 96 'The American': II. Lento | Antonín Dvořák, Škampa Quartet | D Minor | 0 | 7A | 87 BPM | |
 | Pictures at an Exhibition (Orch. Ravel): II. The Old Castle | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 82 BPM | |
 | Java Suite: Part I: I. Gamelan | Leopold Godowsky, Konstantin Scherbakov | D Minor | 0 | 7A | 88 BPM | |
 | King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | |
 | Gadalaiki: 5. Vasaras vakara mūzika | Pēteris Vasks, Tamara-Anna Cislowska, Johannes Fritzsch, Tasmanian Symphony Orchestra | A Minor | 0 | 8A | 67 BPM | |
 | Chanson de matin, Op. 15 No. 2 (Arr. for Cello & Piano) | Edward Elgar, Duo Arnicans | G Major | 1 | 9B | 93 BPM |
- ISRC
- GBELU1714020
- Label
- L-M Records/RCA Records
Section: 0.6596014499664307
End: 0.6632983684539795