"Gadalaiki: 5. Vasaras vakara mūzika" by Pēteris Vasks, Tamara-Anna Cislowska, Johannes Fritzsch, Tasmanian Symphony Orchestra was released on September 8, 2017. Gadalaiki: 5. Vasaras vakara mūzika is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. The track order of this song in Johannes Fritzsch, Tasmanian Symphony Orchestra, Tamara-Anna Cislowska's "Into Silence: Pärt | Vasks | Górecki | Pelēcis" album is number 4 out of 18. Gadalaiki: 5. Vasaras vakara mūzika is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Gadalaiki: 5. Vasaras vakara mūzika by Pēteris Vasks, Tamara-Anna Cislowska, Johannes Fritzsch, Tasmanian Symphony Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Indes galantes: Musette (arr. I. Friedman for piano) | Ignaz Friedman, Jean-Philippe Rameau, Joseph Banowetz | G Major | 0 | 9B | 152 BPM | ||
Cello Concerto No. 2 "Klātbūtne": I. Andante cantabile | Pēteris Vasks, Uladzimir Sinkevich, Munich Radio Orchestra, Ivan Repušić | A Minor | 1 | 8A | 85 BPM | ||
Variations on a Theme by Robert Schumann, Op. 20: Var. VII | Clara Schumann, Benjamin Grosvenor | A♭ Minor | 0 | 1A | 64 BPM | ||
12 Children's Pieces, Op. 31: No. 4, Rêverie | Reinhold Glière, Alton Chung Ming Chan | D Minor | 0 | 7A | 69 BPM | ||
Pieces for Viola and Piano: No. 3. Berceuse | Frank Bridge, Gernot Adrion, Yuki Inagawa | B♭ Major | 0 | 6B | 75 BPM | ||
Quatre Pièces romantiques, Op. 30: III. Berceuse | Charlotte Sohy, Marie Vermeulin | F Minor | 0 | 4A | 62 BPM | ||
Giulio Cesare, HWV 17: Piangero la sorte mia (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | E Major | 0 | 12B | 70 BPM | ||
4 Preludes for Piano, Op. 61: No. 1, Pensieroso | Ignaz Friedman, Joseph Banowetz | B Major | 0 | 1B | 73 BPM | ||
Poèmes "Le rossignol éperdu" (Excerpts): No. 26, Mirage | Reynaldo Hahn, Sofja Gülbadamova | F♯ Major | 0 | 2B | 68 BPM | ||
Für Alina | Arvo Pärt, Tamara-Anna Cislowska, Johannes Fritzsch, Tasmanian Symphony Orchestra | B Minor | 0 | 10A | 131 BPM |
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