Jan Dismas Zelenka, Il Fondamento, Monika Frimmer, Peter de Groot, Ian Honeyman, Peter Kooij, Paul Dombrecht's 'Requeim in C Minor, ZWV. 48' came out on October 31, 2012. With Requeim in C Minor, ZWV. 48 being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Zelenka: De Profundis, Misere & Requiem by Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monkia Frimmer, Peter de Groot, Ian Honeyman, Peter Kooij, Paul Dombrecht. The song's track number on the album is #23 out of 31 tracks. In terms of popularity, Requeim in C Minor, ZWV. 48 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Requeim in C Minor, ZWV. 48 by Jan Dismas Zelenka, Il Fondamento, Monika Frimmer, Peter de Groot, Ian Honeyman, Peter Kooij, Paul Dombrecht has a tempo of 106 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Requeim in C Minor, ZWV. 48 being at 106 BPM, the half-time would be 53 BPM with a double-time of 212 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 3 | 4B | 120 BPM | ||
Sinfonia a quattro: III. Allegro | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Aus der Tiefen rufe ich, Herr, zu dir, BWV 131: Ich harre des Herrn (Chorus) | Johann Sebastian Bach, Maximilian Kiener, Franz Schlecht, Arcis-Vocalisten Munich, L'arpa Festante, Thomas Gropper | F♯ Major | 1 | 2B | 88 BPM | ||
Psyche, Act II Scene 1: Dance of Priests | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Allein Gott in der Höh sey Ehr, SwWV 299: III. Variation III | Jan Pieterszoon Sweelinck, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Ich fahre auf zu meinem Vater, TWV 1:825: VII. Aria "Ich will alle Stunden zählen" | Georg Philipp Telemann, Vox Luminis, Freiburger Barockorchester, Lionel Meunier, William Shelton | E Minor | 1 | 9A | 73 BPM | ||
Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 32, Dir, dir Jehova, will ich singen, BWV 452 | Johann Sebastian Bach, Masaaki Suzuki, Aki Matsui, Shimon Yoshida, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Languet anima mea BWV deest 1006: IV. Aria: Tu lumen mentis es | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM | ||
Laudate pueri, HWV 237: II. Sit nomen Domini | George Frideric Handel, Carolyn Sampson, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
6 Trio Sonatas, ZWV 181, No. 6 in C Minor: I. Andante | Jan Dismas Zelenka, Ensemble Berlin Prag, Dominik Wollenweber, Vilem Veverka, Mor Biron, Barbara Maria Willi, Ulrich Wolff | C Minor | 1 | 5A | 75 BPM |
Section: 0.8502788543701172
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