"Der fliegende Holländer, WWV 63 / Act 1: "Hojoje! Hallojo! Ho!...Kein Zweifel! Sieben Meilen"" by Richard Wagner, Martti Talvela, Werner Krenn, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti was released on January 1, 2012. With this song being about 5 minutes long, at 4:47, "Der fliegende Holländer, WWV 63 / Act 1: "Hojoje! Hallojo! Ho!...Kein Zweifel! Sieben Meilen"" by Richard Wagner, Martti Talvela, Werner Krenn, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 414 in the song's album "Solti - Wagner - The Operas". In this album, this song's track order is #2. Der fliegende Holländer, WWV 63 / Act 1: "Hojoje! Hallojo! Ho!...Kein Zweifel! Sieben Meilen" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der fliegende Holländer, WWV 63 / Act 1: "Hojoje! Hallojo! Ho!...Kein Zweifel! Sieben Meilen" by Richard Wagner, Martti Talvela, Werner Krenn, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prince Igor, Act II: Polovtsian Dances, Dance III | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 74 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 2. Adagio | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | C Major | 1 | 8B | 80 BPM | ||
Carnival Overture, Op. 92 | Antonín Dvořák, Leonard Bernstein, New York Philharmonic | D Major | 3 | 10B | 145 BPM | ||
Oberon, J.306: Ouvertüre | Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D Major | 1 | 10B | 131 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Quarrel | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | B Minor | 4 | 10A | 91 BPM | ||
Das Rheingold, WWV 86A / Scene 4: "Schwüles Gedünst schwebt in der Luft" | Richard Wagner, Eberhard Wächter, Waldemar Kmentt, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 0 | 5B | 84 BPM | ||
Carmen Suite No. 1: 4. Les dragons d'Alcala | Georges Bizet, Orchestre de Paris, Semyon Bychkov | G Major | 0 | 9B | 117 BPM | ||
Symphony No. 4: IV. Sehr behaglich | Gustav Mahler, Berliner Philharmoniker, Yannick Nézet-Séguin, Christiane Karg | E Minor | 1 | 9A | 80 BPM | ||
Pictures At An Exhibition: Gnomus | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 99 BPM |
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