Jean-Joseph Cassanéa De Mondonville, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko made "Le Carnaval du Parnasse, Act I Scene 4: 1er & 2ème Menuets" available on April 12, 2024. The duration of Le Carnaval du Parnasse, Act I Scene 4: 1er & 2ème Menuets is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Le Carnaval du Parnasse, Act I Scene 4: 1er & 2ème Menuets's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Joseph Cassanéa De Mondonville, Alexis Kossenko, Hélène Guilmette, Mathias Vidal, Hasnaa Bennani, Les Ambassadeurs ~ La Grande Écurie, Gwendoline Blondeel's "Mondonville: Le Carnaval du Parnasse" album is number 26 out of 77. Based on our statistics, Le Carnaval du Parnasse, Act I Scene 4: 1er & 2ème Menuets's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Le Carnaval du Parnasse, Act I Scene 4: 1er & 2ème Menuets by Jean-Joseph Cassanéa De Mondonville, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Trumpet, 2 Oboes, Strings and Continuo: II. Largo | Johann Friedrich Fasch, Giuliano Sommerhalder, Kammerorchester Basel, Julia Schröder | D♭ Major | 1 | 3B | 81 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Trionfi Amore!" (Orfeo, Amore, Euridice, Coro) | Christoph Willibald Gluck, Stefan Plewniak, Elsa Dreisig, Fatma Said, Il Giardino d'Amore Choir, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Jean-Joseph Mouret: "Entrée" Extrait De La Premiere Suite D'orchestre | Tafelmusik Baroque Orchestra | D♭ Major | 3 | 3B | 151 BPM | ||
Te deum, LWV 55: I. Te Deum | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 5 | 6B | 79 BPM | ||
Ouvertures and Trio Sonatas, Op. 13, Sonata No. 2 in B Minor: III. Largo | Jean-Marie Leclair, Lucile Boulanger, Simon Pierre, Olivier Fortin | F♯ Major | 1 | 2B | 98 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 7, La douceur | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Kuhnau: Magnificat in C Major: V. Chorus. "Quia fecit" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM | ||
Neubrandenburg Concerto No. 3: IV. Aria (Transcr. By Harer, after Bach's "Gedenke doch, mein Geist, zurücke" BWV 509) | Johann Sebastian Bach, Christoph Harer, La Festa Musicale | F Major | 0 | 7B | 102 BPM | ||
Dido and Aeneas, Z. 626, Act II: Gitter Ground at Dance - Often she visits | Henry Purcell, La Nuova Musica, David Bates, Hilary Cronin | F♯ Minor | 2 | 11A | 126 BPM | ||
Overture in D Major, TWV 55:D21: Overture in D Major, TWV 55:D21: I. Ouverture | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck | B Major | 1 | 1B | 109 BPM |
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